Lee Triming reviews the exhibition The Indiscipline of Painting: International Abstraction from 1960 to Now, on view at Mead Gallery, Warwick Arts Centre through March 10 2012 (formerly at Tate St. Ives) .

Triming writes that the show "builds the kinds of polyvalent and open relationships between works that I look forward to in an artist-curated show; one of its principle pleasures lying in how the assembled paintings address a clear set of preoccupations without ever consolidating these into a dogmatic argument."

Triming continues "It is this sense of relatedness and dialogue, where paintings work on each other in ways both consistent and inconsistent with established lines of art historical discourse, that builds into a satisfyingly complex weave as the show progesses."