Max Estenger visits the studio of painter Mary Jones.
Estenger writes that Jones' recent painting "are her most muscular paintings with form and mass dominating where once thin washes of paint predominated. Her introduction a few years ago of spray paint is now incorporated seamlessly and some of the schematic ghosts from her earliest work have reappeared. Despite the fact that these paintings contain more traditional figure/ground relationships, color continues to play an important role. The newest paintings have large swaths of paint applied with a roller, but not so much rolled as troweled."