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Painting and War

  • Jean-Antoine Watteau, The Halt, ca. 1710, oil on canvas, 12 5/8 x 16 3/4 inches (Museo Thyssen-Bornemisza, Madrid)

    Watteau's Art of War

    via: New York Sun Arts
  • Watteau's Soldiers @ the Frick Collection

    via: PT Blog
  • (detail) Leon Golub, Napalm I, 1969, acrylic on linen, 117 1/4 x 213 inches (cou

    Jason Mones on Leon Golub

    via: Painters on Paintings
  • (detail) Leon Golub, Napalm I, 1969, acrylic on linen, 117 1/4 x 213 inches (pho

    Leon Golub: A Necessary Man

    via: A Year of Positive Thinking
  • (detail) Leon Golub, The Go-Ahead, 1985–6 (Image © READS 2015, Private Collectio

    Leon Golub: Bite Your Tongue

    via: The Guardian
  • Ernst Ludwig Kirchner, Angels Pouring Out the Vials with God’s Wrath, 1917 (The

    Ernst Ludwig Kirchner's Apocalypse

    via: Getty Iris
  • (detail) Joyce Cairns, They Said the War was partly to blame, 1986 (courtesy of

    Joyce Cairns: Interview

    via: Studio International
  • (detail) Marsden Hartley, Porträt eines deutschen Offiziers, 1914, Öl auf Leinwa

    Marsden Hartley: The German Pictures

    via: PORT Magazine
  • (detail) George Grosz, Das Ende (The End), 1917, ink on Paper (courtesy of the N

    George Grosz: Shock and Awe

    via: Hyperallergic
  • (detail) Stanley Spencer, Map Reading, 1927–1932, oil on canvas, 215 x 185 cm (N

    Stanley Spencer: Heaven in a Hell of War

    via: The Artsdesk
  • (detail) Kazimir Malevich, Black Square on a White Ground, 1915, oil on linen, 7

    Kazimir Malevich: Becoming Revolutionary

    via: e-flux
  • (detail) Martin Johnson Heade, Approaching Thunder Storm, 1859, oil on canvas, 2

    Perils of Message Painting

    via: From the Mayor's Doorstep
  • (detail) Jacques Callot, The Miseries of War; No. 11 - The Hanging (source: Wiki

    Jacques Callot: Line Sublime

    via: The New Republic
  • (detail) Judy Glantzman, Puppetry, 2013, mixed media, 40 x 39 3/4 inches (courte

    Judy Glantzman: In Conversation

    via: New American Paintings Blog
  • (detail) painting by Judy Glantzman (courtesy of the artist and Betty Cuningham

    Judy Glantzman: Inspired by Guernica

    via: Two Coats of Paint
  • Intallation View, Jaune Quick-To-See-Smith at Accola Griefen (courtes of  Accola

    Jaune Quick-To-See-Smith

    via: NY Arts
  • (detail) Nancy Spero, The Underworld, 1997 (courtesy the Estate of Nancy Spero a

    Nancy Spero: Cruel Beauty

    via: Hyperallergic
  • (detail) Kimathi Donkor, Madonna Metropolitan, 2005, oil on canvas, 161.5 x 161.

    Kimathi Donkor: Retelling History

    via: Studio International
  • (detail) Pablo Picasso, Rape of the Sabine Women, 1962-1963, The Museum of Fine

    Picasso & Nuclear Politics

    via: Big Red & Shiny
  • Joan Miró creating one of his Burnt Canvases (video screen capture - Joan Miró:

    Joan Miró's Techniques of Freedom

    via: Writing Without Paper
  • (detail) Judith Glantzman, Shakespeare's Pirate, 201, gesso, acrylic, walnut ink

    Judy Glantzman Goes to Battle

    via: New American Paintings Blog
  • (detail) Hiba Akkad, Untitle, 2012, mixed media on canvas work (courtesy Galerie

    Syria: Painting as Protest

    via: NPR - Fine Arts
  • (detail) Steve Mumford, Going Back In, 2006 (Courtesy Postmasters Gallery)

    Steve Mumford: Waiting

    via: New England Journal of Aesthetic Research
  • Jarrett Min Davis, Forward Post, 2011, oil on canvas

    Jarrett Min Davis: Guts and Glory?

    via: Two Coats of Paint
  • Emil Nolde. Young Couple. 1913, detail

    When Modern Meant Graphic

    via: Haberarts

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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