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Philip Pearlstein

  • Piero della Francesca, Flagellation of Christ, 1455-1460, oil and tempera on panel, 23 x 32 inches

    Philip Pearlstein on Piero della Francesca

    via: Painters on Paintings
  • (detail) Francis Picabia, Je revois en souvenir ma chère Udnie (I See Again in Memory My Dear Udnie), 1914, oil on canvas (photo: Museum of Modern Art John Wronn; Art: ©2016 Artists Rights Society (ARS), NY and ADAGP, Paris/Museum of Modern Art, New York)

    Philip Pearlstein on Francis Picabia

    via: ARTnews
  • Philip Pearlstein, Two Models in Masks with African Chair, 2015, oil on canvas,

    Philip Pearlstein: Interview

    via: Studio International
  • Lois Dodd, Apple Tree, 1964, oil on linen, 54 x 74 inches (© Lois Dodd, courtesy

    Irving Sandler on Tenth Street Painting

    via: artcritical
  • (detail) Hannah van Bart, Young Woman, 2012, oil on linen, 29 1/2 x 21 1/2 inche

    Pearlstein, de Niro, van Bart

    via: Culture Catch
  • (detail) Elizabeth Peyton, Spencer Walking, 2001 (Philadelphia Museum of Art)

    Notations / Revolutions of the Real

    via: Artes Magazine
  • (detail) Philip Pearlstein, Two Female Models on Cast Iron Bed, 1975 (courtesy o

    Philip Pearlstein: Just the Facts

    via: artcritical
  • Juan Sanchez Cotan, Cardoon and Parsnips, ca. 1604, oil on canvas, 24 13/16 x 33

    Breaking the Picture Plane

    via: Studio and Garden
  • (detail) Ellen Lanyon, Fisch, 2009, acrylic on canvas, 36 x 36 inches (courtesy

    Ellen Lanyon & Philip Pearlstein: Objects / Objectivity

    via: Neoteric Art
  • Seima Horvitz, Seima's Family Seder, undated, detail

    Samuel Rosenberg: A Painter's Legacy

    via: Pittsburgh, Youngstown, Akron & Cleveland Arts
  • Pearlstein/Held: Five Decades

    via: Brooklyn Rail

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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