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Pieter Bruegel the Elder

  • (detail) Peter Bruegel, Wine of St. Martin’s Feast Day, 1566 – 1567, tempera on linen, 148 x 270.5 cm (Prado Museum)

    Lourdes Bernard on Pieter Bruegel

    via: Painters on Paintings
  • (detail) Peter Paul Rubens, Rape of Europa (after Titian), 1628–29, oil on canvas, 71 7/8 x 79 3/8 inches (© Photographic Archive Museo Nacional del Prado, Madrid )

    Splendor, Myth, and Vision

    via: Wall Street Journal Arts
  • Pieter Bruegel, The Gloomy Day, 1559, oil on wood, 46.5 x 64 inches (Kunsthistor

    Gregory Amenoff on Pieter Bruegel

    via: Painters on Paintings
  • Pieter Bruegel the Elder, The Tower of Babel, oil on panel, 1563, Kunsthistorisc

    Bruegel's Islands of Consciousness

    via: Visual Notations
  • Flim Still, Lech Majewski's The Mill and the Cross

    Painters as Storytellers

    via: Two Coats of Paint
  • Pieter Bruegel the Elder, The Way to Calvary, Kunsthistorisches Museum Burgring,

    Reimagining Bruegel

    via: Spread ArtCulture
  • Crowd Scene: Lech Majewski's The Mill and The Cross

    Filming Bruegel

    via: The Artblog
  • Pieter Bruegel the Elder, The Harvesters, 1565

    Headlong

    via: Venetian Red
  • Pieter Bruegel the Elder, The Wine of St. Martin's Day - detail

    Closer Look: Prado's New Breugel

    via: New York Times

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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