Julia Schwartz reviews an exhibition of recent paintings by Ginny Casey at Mier Gallery, Los Angeles.
Margaret McCann reviews an exhibition of works by William Bailey at the Century Club.
Although resolutely abstract, Julian Hatton's new paintings deliver the full, immersive effect of the landscape.
An essay by James Panero for the exhibition Dana Gordon: New Painting 2015-17, on view at Sideshow Gallery, Brooklyn, from May 4 - June 4.
Margaret McCann reviews an exhibition of portraits by Ann Gale at the University of Virginia's Fralin Museum.
Kabinett shows offered both the best work and the best opportunity to "just look” at Art Basel Miami Beach.
Margaret McCann reviews concurrent shows of works by Stanley Lewis at New York Studio School and Betty Cunningham Gallery/Sidecar.
Margaret McCann reviews Jonas Wood: Portraits at Anton Kern Gallery, New York.
Paul Corio reviews a selection of painting exhibitions, including shows of work by Carmen Herrera, Heather Guertin, Gary Petersen, Sean Scully, Robert Otto Epstein, Ivo Ringe, and others..
Henry McMahon considers Bruegel's The Harvesters (1565) in the Metropolitan Museum of Art.