PT Blog Features

The Ability of Paint
Brett Baker | January 27, 2014

Interview with painter Paul Behnke, curator of the exhibition Eight Painters currently on view at Kathryn Markel Fine Arts, New York.

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Leon Kossoff: Seeing Differences
Brett Baker | November 7, 2013

[VIDEO] In a new video produced on the occasion of his exhibition London Landscapes at Mitchell-Innes & Nash, painter Leon Kossoff discusses his work and approach to painting.

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David Rhodes: Schwarzwälde
Brett Baker | October 10, 2013

David Rhodes’ paintings, on view at Hionas Gallery, invoke and transcend the legacy of modernism.

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See It Loud: Seven Post-War American Painters
Brett Baker | September 16, 2013

[VIDEO] Three new videos preview the exhibition See It Loud: Seven Post-War American Painters, which opens September 26 at the National Academy Museum in New York.

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The Edge and a Little Beyond
Brett Baker | September 11, 2013

Interview with painter Julie Alexander, curator of the exhibition The Edge and a Little Beyond currently on view at SOIL Gallery, Seattle.

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Conversation with Zachary Keeting
Brett Baker | September 10, 2013

A conversation with painter Zachary Keeting whose recent paintings are on view at Giampietro Gallery, New Haven.

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Joanne Freeman: In Conversation
Brett Baker | August 27, 2013

A conversation with painter Joanne Freeman, whose exhibition Three Chords is currently on view at the University of Maine Museum of Art.

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DeShawn Dumas: Interview
Cameron Brinitzer | August 19, 2013

An interview with DeShawn Dumas, whose exhibition Future Primitive was recently on view at Janet Kurnatowski Gallery, Greenpoint, Brooklyn.

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Braque at the Phillips Collection
Brett Baker | July 20, 2013

An exhibition of Braque's post World War I paintings confirms that Braque’s “second career” may, in retrospect, constitute his greater legacy.

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Justice to Pissarro
Dana Gordon | July 17, 2013

Dana Gordon argues pursuasively for a re-evaluation of Camille Pissarro, a painter whose acute interest in the abstract nature of painting was never achieved at the expense of “tremendous depth... fullness, warmth, and solidity.”

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