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  • Interview with Avital Burg
    via: PT Blog
  • (detail) Hans Hofmann, Pompeii, 1959, oil on canvas (Tate Modern, London)
    On Hans Hofmann & Nicolas de Staël
    via: The New Criterion
  • Jake Berthot, Chapel Trail Near Alter Road, 2000, oil on panel, 26 3/8 x 26 1/8 inches (courtesy of Betty Cuningham Gallery)
    JAKE! @ Betty Cuningham Gallery
    via: johnmitchellworld
  • Clear as Doubt: Bernardo Siciliano at Aicon Gallery
    via: PT Blog
  • Zurbarán’s Veil of Veronica at the MFAH
    via: PT Blog
  • Treedom: Ron Milewicz at the New York Studio School
    via: PT Blog
  • (detail) Evan Fugazzi, Loom, 2018 (courtesy of Karen Mauch Photography)
    Evan Fugazzi @ Gross McCleaf
    via: Hyperallergic
  • (detail) Donald Martiny, Faliscan, 2018, polymer and dispersed pigment on aluminum, 36 x 36 inches (courtesy of the artist)
    Donald Martiny: Interview
    via: Whitehot Magazine
  • Interview: Sedrick Huckaby at the Elaine de Kooning House
    via: PT Blog

PT Blog Features

Bridget Riley: Repetition, Rhythm, & Learning to Look
Brett Baker | October 31, 2012

[VIDEO] In two videos, painter Bridget Riley elaborates on the influences of landscape and the visual power found in rhythm and repetition.

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Gillian Ayres: Video Interview
Brett Baker | October 29, 2012

[VIDEO] An extended video interview with Gillian Ayres whose work is currently on view at the Jerwood Gallery.

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Per Kirkeby at the Phillips
Brett Baker | October 23, 2012

[VIDEO] Per Kirkeby discusses his latest exhibition at the Phillips Collection with co-curator Klaus Ottmann.

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Bernard Chaet (1924 - 2012)
Brett Baker | October 19, 2012

Painter and renowned Yale professor Bernard Chaet, championed seeing as the gateway to invention, passed away Tuesday at the age of 88.

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Tenses of Landscape
Brett Baker | October 18, 2012

An interview with Sam King and Christopher Lowrance, co-curators of Tenses of Landscape, an exhibition of 19 contemporary painters whose work is influenced by landscape.

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George Hofmann's Instant Awareness
Brett Baker | October 14, 2012

In his new paintings, George Hofmann accepts the challenge to paint what he calls the “unedited and torrential, pixellated, flickering, backlit, and instantaneous” nature of contemporary culture, with the realization that the rich tradition of painting is his best ally.

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Focusing the Field
Brett Baker | October 9, 2012

Expanding the visual field is one of the essential innovations of the New York School. Yet, while nearly every other aspect of abstract painting has been exhaustively investigated and re-imagined, examples of focusing the field to a small scale have been isolated and few.

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Nick Miller's Truckscapes
Brett Baker | September 21, 2012

[VIDEO] Nick Miller: Yard, is on view at Rubicon Gallery, Dublin through October 27, 2012. This exhibition features Miller's final Truckscape paintings, landscapes painted from the back of a truck that Miller converted to a studio in 2007.

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Frederick Hammersley: Studio Visit
Brett Baker | August 16, 2012

A video interview and studio visit with painter Frederick Hammersley (1919-2009). Hammersley discusses his general thoughts on painting as well as the specifics and development of his practice, including what he calls painting by "hunch" or intuition.

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Judy Glantzman: In Studio
Brett Baker | August 15, 2012

In a video interview, painter Judy Glantzman discusses her work and her idea of art. She notes her interest in "the combination of a kind of a contrivance and a kind of truth - truth and contrivance simultaneously - that's what I think of as art… when I mean true, it's that I am not conscious of what my painting is going to look like, I'm more engaging in a relationship…"

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More Recent Posts

  • Ribera, Mantegna & Bellini
    via: AbCrit
  • Amy Sillman, Untitled (Logs), 2018 (Photo: John Berens; courtesy the artist and Gladstone Gallery, New York & Brussels)
    Amy Sillman: Interview
    via: Apollo Magazine
  • Vivian Springford, Untitled (Cosmos Series), 1984, acrylic on canvas, 36 x 42 inches (courtesy of Almine Rech Gallery)
    The Ecstatic Flow of Paint
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  • Sharon Butler, Pink, 2017, oil on canvas, 18 x 22 inches (courtesy of Theodore:Art)
    Sharon Butler @ Theodore:Art
    via: Hyperallergic
  • David Bomberg, D. Ghetto Theatre, 1920 (Estate of David Bomberg/Bridgeman Art Library)
    David Bomberg’s Profound Modernism
    via: New York Review of Books
  • Claude Monet, Le Pont japonais, 1918-1924, oil on canvas, 73 × 100 cm (Private collection. Courtesy Blondeau & Cie, Geneva. Photo : © Studio Sebert, Paris)
    Monet & American Abstract Painting
    via: Brooklyn Rail
  • Susan Lichtman, Cookout, 2016, oil on linen, 64 x 58 inches (courtesy of the artist)
    Susan Lichtman: Interview
    via: Savvy Painter
  • (detail) Patrick Heron, Red Garden Painting, June 3 – June 5 1985, oil paint on canvas (© Estate of Patrick Heron. All Rights Reserved, DACS 2018)
    Patrick Heron @ Tate St. Ives
    via: AbCrit

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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