PT Blog Features

Eating Painting
Brett Baker | July 20, 2015

An essay by James Biederman for the exhibition Eating Painting, on view at 308 at 156 Project Artspace, New York, from June 25 - August 15, 2015.

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Brett Baker: Recent Paintings @ Elizabeth Harris Gallery
Brett Baker | February 14, 2015

I would like to invite Painters' Table readers to the opening reception for an exhibition of my recent paintings at Elizabeth Harris Gallery in New York on Thursday, February 19, 2015.

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Stanley Whitney: Care of the Brush
Brett Baker | February 9, 2015

Thoughts on the paintings of Stanley Whitney, whose work is on view at Team (bunglow), Venice, CA from January 11th – February 22, 2015.

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Andrew Seto: The After Life of Paintings
David Rhodes | January 27, 2015

David Rhodes writes about the paintings of Andew Seto, on view at Galerie Vidal-Saint Phalle, Paris, through February 11, 2015.

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Pat Passlof: Paintings from the 50s
Brett Baker | December 2, 2014

An exhibition of early works by Pat Passlof tells the story of a talented, audacious painter coming of age during a legendary decade of New York painting.

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Katherine Bradford: Shelf Paintings
Brett Baker | November 17, 2014

[VIDEO] In a new video by Carol Saft, painter Katherine Bradford discusses her recent "shelf" paintings on view at Arts+Leisure, New York.

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John Walker @ Alexandre Gallery
Brett Baker | November 14, 2014

John Walker's recent paintings, on view at Alexandre Gallery, continue to revitalize abstraction through intense, prolonged immersion in nature.

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What's at Stake for Abstract Painting Today?
Brett Baker | November 14, 2014

[VIDEO] Painters Joanne Greenbaum, Philip Taaffe, and Stanley Whitney offer thoughtful insights into the experience they seek through painting.

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The Late 1960s, Working for Tony Smith and George Sugarman
Dana Gordon | November 11, 2014

Painter Dana Gordon pens a recollection of working as a studio assistant to Tony Smith and George Sugarman in the late 1960s.

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Soutine: Art More Like Life
Brett Baker | November 1, 2014

This past summer, a modest, yet riveting selection of paintings by Soutine at Paul Kasmin Gallery highlighted the artist's feverish dedication to “sensations-in-paint.”

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