Bridget Riley: The Curve Paintings

Bridget Riley, Andante 1, 1980 (© 2015 Bridget Riley. All rights reserved, court
Bridget Riley, Andante 1, 1980 (© 2015 Bridget Riley. All rights reserved, courtesy Karsten Schubert, London)

Geoff Hands reviews Bridget Riley, The Curve Paintings 1961 – 2014 at the De La Warr Pavilion, Bexhill on Sea, on view through September 6, 2015.

Hands concludes: "Bridget Riley’s abstract art is clearly modernist, but notwithstanding her traditional training as a painter (she still produces cartoons for her paintings), her work successfully combines a strongly characteristic feature of line through disegno (drawing) with form as colore (colour) to attain a synoptic temporality: intimating a psychogeographic relationship with space through physical positioning and perception; and a sense of time and rhythm integrated in and through the intrinsic properties of the images. The association of colour and line, especially the curve, is sensuous at a visual and an intellectual level. If this interpretation is correct, it might suggest that a purely non-objective abstraction is a fanciful notion – because contingency is unavoidable, so long as human beings continue to make art."

via: 
AbCrit