Painter Carrie Moyer writes about the paintings of Louise Fishman on view in three concurrent exhibtions: Louise Fishman at Cheim & Read, New York (through October 27), Louise Fishman, Five Decades at Tilton Gallery, New York (through October 13), and Generations: Louise Fishman, Gertrude Fisher-Fishman, and Razel Kapustin at Woodmere Art Museum in Philadelphia (October 13, 2012 – Janury 6, 2013).
Moyer notes: "Intensely tactile and athletic, the paintings of Louise Fishman seem to have been born of this impulse. At 73, she has spent more than 50 years pitching dynamic gestural painting up against the cool austerity of the grid. The result is an oeuvre that is resolutely idiosyncratic and canonical at the same time. In her work, the personal reveals itself incrementally through an ever-shifting abstract language invented to express the artist’s compound identity as a woman, lesbian and Jew. This desire to explore the empirical through nonobjective painting is what makes Fishman an important forerunner of much of the painting we see today."