Alma Woodsey Thomas, Orion, 1973, acrylic on canvas, 60 x 54 inches (courtesy of the National Museum of Women in the Arts, Washington, DC. Gift of Wallace and Wilhelmina Holladay, © Alma Woodsey Thomas, photo by Lee Stalsworth)
Karen Emenhiser-Harris reviews Magnetic Fields: Expanding American Abstraction, 1960s to Today at the Kemper Museum of Contemporary Art, Kansas City, on view through September 17, 2017.
Emenhiser-Harris writes: "According to the Kemper, this is the first museum exhibit in the US to show abstract artwork created exclusively by women of color. Stylistically varied and teeming with formal flights of bravura, the exhibit seems to engage the magnetic forces of the Mildred Thompson painting from which it takes its name."
via:
Hyperallergic- Abstraction
- Candida Alvarez
- Betty Blayton
- Chakaia Booker
- Lilian Thomas Burwell
- Nanette Carter
- Barbara Chase-Riboud
- Deborah Dancy
- Abigail DeVille
- Maren Hassinger
- Jennie C. Jones
- Evangeline “EJ” Montgomery
- Mary Lovelace O’Neal
- Howardena Pindell
- Mavis Pusey
- Shinique Smith
- Gilda Snowden
- Sylvia Snowden
- Kianja Strobert
- Alma Thomas
- Mildred Thompson
- Brenna Youngblood
