John-Paul Stonard reviews Anselm Kiefer at the Royal Academy, London, on view through December 14, 2014.
Stonard writes: "Kiefer is one of the few living artists who can work convincingly on a truly monumental scale, creating vast works that seem not merely to take up, but to activate the space around them. This is particularly true of his paintings based on fascist architecture." Stonrd concludes that "it isn’t his subject matter, or even its poetic transformation, that makes Kiefer’s work so beguiling, particularly when compared with that of artists such as Beuys or Georg Baselitz. It is something far more prosaic: the fascination of running one’s eyes over the intricate surfaces of his paintings, admiring the sense of design in his woodcuts, his skill in painting in watercolour, or ingenuity in recycling materials for sculpture – the pleasure of wondering how it was all done."