Anoka Faruqee considers Bridget Riley's painting Cataract 3 (1967).
Faruquee writes: "For me, this painting endures unlike more facile examples of Op Art, because, like a work of thoughtful science fiction, it uncannily compresses the past, present and future. Throughout her writing, Riley recalls the impact of specific perceptual memories. In this painting, one sees how she draws upon these lived moments, whether it was observing light across water, watching the bright blue sky fade into its complementary afterimage, studying the divisionism of Seurat’s dots and Moorish tiles, or engaging an all-over structural approach to figure drawing. She hones aspects of these past experiences in order to present a wholly new perceptual event tantamount to them."