Judy Glantzman considers Dawn Clements' Peonies (2014).
"Dawn Clements’ giant watercolor on paper, capturing dying peonies, is achingly beautiful. Her touch is light, her eye, and hand in a lock step; the drawing is a placeholder for where the peonies once were. The power is Dawn’s intense scrutiny, the quiet power of an unnamable truth... The peonies stand like two, heroic giants, “Before” and” After”, “Front” and “Back” as if their once beautiful bodies sag with battle wounds. The drawing is quixotic, the melancholic impossibility of containing an ephemeral life force. The paper’s folds make an irregular grid, a trellis for the writhing peonies. Gaps and overlays, paper cut out and replaced, we experience the many facets of time at the same time as we experience the drawing as one instant."