Christopher Howard reports on a recent artist talk given by painter Clarity Haynes at Trestle Gallery, Brooklyn, New York.
Howard writes: "Because she works from life, [Haynes] gets to know not only the bodies she depicts but also the person inside them, like the trans bodybuilder Roxanne, whom she finished painting in 2012. 'I really enjoy the long process of slowly getting to know the body,' Haynes said, 'the specific body.' ... The general form of the Breast Portrait Project—frontal view, centered composition, neutral background, and a body cropped at the neck and waist—remains consistent. What varies is the shape, color, and texture of the woman, and also things like necklaces and clothing (pants). The artist realized the importance of such accoutrements after a year’s worth of comments by visitors to her studio."