LA Times
Petra Cortright @ 1301PE
LA Times
Christopher Knight reviews the recent exhibition Petra Cortright: quack doctor violet “saltwater fish” at 1301PE, Los Angeles. Knight begins: “Cortright’s paintings wedge themselves between the celebrated history of gestural art, mostly Expressionist and abstract, and the past generation’s frantic upheaval of established visual norms generated by the emergence and now ubiquity of digital imagery.”
Mimi Lauter: Interiors
LA Times
Leah Ollman reviews Mimi Lauter: Interiors at Tif Sigfrids, Los Angeles, on view through March 4, 2017. Ollman writes: “Mimi Lauter’s enthralling drawings have a visual grammar all their own. Their sense of scale is elusive and independent of their physical size. They feel immersive, whether small as a notebook page or large enough to […]
Luchita Hurtado @ Park View Gallery
LA Times
Christopher Knight reviews works by Luchita Hurtado recently on view at Park View Gallery, Los Angeles. Knight writes: “[Hurtado’s] drawings’ loosely Surrealist forms recall dense pictographs from a variety of cultures, ancient and modern. Among them are prehistoric cave paintings, Northwest and Southwest tribal art, pre-Columbian reliefs and the abstract paintings and sculptures of Chinese-Afro-Cuban […]
Picasso & Rivera: Conversations Across Time
LA Times
Christopher Knight reviews Picasso and Rivera: Conversations Across Time at the Los Angeles County Museum of Art (LACMA), on view through May 7, 2017. Knight writes: “In 1915, Pablo Picasso acquired a small Cubist still life painted by his casual friend and acolyte, Diego Rivera… The small painting’s admixture of traditional and avant-garde French, Spanish […]
Helen Frankenthaler: Pure Color
LA Times
Carolina A. Miranda interviews John Elderfield, curator of Line into Color, Color into Line: Helen Frankenthaler, Paintings, 1962–1987 at Gagosian Gallery, Beverly Hills, on view through October 29, 2016. Elderfield remarks: “The traditional way, of course, is to make a drawing as the basis of a painting, then add color to it. In ‘Mountains and Sea,’ you […]