Experimental Italian Painting of the 1960s

Thomas Micchelli reviews the exhibition Post-War Italian Art: Accardi, Dorazio, Fontana, Schifano at Sperone Westwater, New York, on view through May 4, 2013. Micchelli writes: “The works in this show have in common an enduring simplicity of means, a Classicism pliant enough to encompass minimalist analytics, anti-art stratagems and the headiness of Pop. The work […]