The New Yorker
Peter Schjeldahl reviews Frédéric Bazille and the Birth of Impressionism at the National Gallery, Washington, D.C., on view through July 9, 2017. Schjeldahl writes: "What makes the show great is the point of view that it affords not only on the birth of Impressionism but also on the general dawning of modernist sentiments and sensibilities.
The New Yorker
Peter Schjeldahl reviews Alexei Jawlensky at the Neue Galerie, New York (through May 29) and Vija Celmins at Matthew Marks, New York (through April 15). Schjeldahl writes: "... The [Jawlensky] show ends with the kicker of a room of small, even tiny, paintings, unfamiliar to me, of an abstracted face. A black stripe serves for
The New Yorker
Peter Schjeldahl reviews Fast Forward: Painting from the 1980s at the Whitney Museum of American Art, New York, on view through May 14, 2017. "Starting in the late nineteen-seventies, young American artists plunged, pell-mell, into making figurative paintings. That seemed ridiculously backward by the lights of the time’s reigning vanguards of flinty post-minimalism, cagey conceptualism,