Skip to main content
  • Painters' Table

  • About
  • Email Sign Up
  • Submit a Blog
  • Sponsor
  • Browse Blogs
  • All Posts

AbCrit

  • Art Writer/Critic Blog
  • Arts Website

http://abcrit.wordpress.com/

Recently Featured Posts from this Blog

  • Ribera, Mantegna & Bellini

  • (detail) Patrick Heron, Red Garden Painting, June 3 – June 5 1985, oil paint on canvas (© Estate of Patrick Heron. All Rights Reserved, DACS 2018)

    Patrick Heron @ Tate St. Ives

  • Pierre Bonnard, Breakfast by the Radiator, 1930

    Matisse-Bonnard @ the Staedal Museum

  • Gillian Ayres, Lure, 1963 (Arts Council Collection, Southbank Centre, London © the artist)

    Gillian Ayres @ the National Museum Cardiff

  • Paul Cézanne, Table, Napkin and Fruit, 1895-90 (The Barnes Foundation)

    Alan Gouk on Key Modernist Paintings

  • Installation View, upper gallery, Richard Smith: Work of Five Decades at Flowers Gallery (© Richard Smith Foundation, courtesy Flowers Gallery London and New York)

    Richard Smith: Work of Five Decades

  • (detail) Patrick Jones, Azura, acrylic on canvas, 7 x 9 ft, 2010 (courtesy of the artist)

    Patrick Jones: No Pasaran

  • Emyr Williams, Vibo, 2015 (courtesy of the artist)

    Brancaster Chronicles at Greenwich

  • (detail) Alan Gouk, Baltimore Oriole (Mandalay No. 17), 2016, 66 x100 inches, acrylic on canvas (courtesy of the artist)

    Alan Gouk: New Abstract Colour Paintings

  • Daniel Sturgis, Passion and Distance, 2008, acrylic on canvas, 163 x 214 cm

    Painting & Structure

  • Victor Pasmore, Abstract in Black, White and Ochre, 1958, oil on board (British Council Collection, © Estate of Victor Pasmore)

    Victor Pasmore @ Pallant House Gallery

  • Henri Matisse, The Pink Studio, 1911 (The Pushkin State Museum of Fine Arts, Moscow, © Succession H. Matisse. Photo © Moscow, The Pushkin State Museum of Fine Arts, 2016)

    The Shchukin Collection @ Fondation Louis Vuitton

  • Frank Avray Wilson, Thrusting Reds, 1959, oil on canvas, 122 x 152 cm (courtesy of Whitford Fine Art, London)

    Frank Avray Wilson @ Whitford Fine Art

  • Robert Motherwell, California, 1959, oil and charcoal on canvas, 177.2 x 227.3 cm (courtesy of Bernard Jacobson Gallery)

    Robert Motherwell @ Bernard Jacobson

  • (detail) Mary Heilmann, Primalon Ballroom, 2002, oil on canvas on wood,127 × 101.6cm (© Mary Heilmann, photo: Oren Slor, courtesy of the artist, 303 Gallery, New York, and Hauser & Wirth)

    Mary Heilmann @ the Whitechapel Gallery

  • Robert Rauschenberg, Collection, 1954-55 (San Francisco Museum of Modern Art)

    Image, Object, and the Tradition of Paintedness

  • (detail) Basil Beattie, Far From Somewhere, 2014, oil and wax, 213 x 198 x 5.08

    Basil Beattie: When Now Becomes Then

  • (detail) Pieter Janssens Elinga, La Balayeuse, 1668-1672

    Abstraction: Content & Continuity

  • (detail) Goya, María Antonia Gonzaga, Marquesa Viuda de Villafranca, 1795 (Prado

    Goya's People & the Modernist Audience

  • Quentin Massys, St. John Altarpiece (central Panel), 1507-08, oil on wood, Antwe

    On Flatness & Plastic Space

  • Installation view: Dennis Loesch at PM/AM Gallery, London

    Dennis Loesch: Merge Visible

  • John Hoyland, 17.5.64 (© The John Hoyland Estate)

    John Hoyland: Paintings 1964-1982

  • (detail) William Gear, Broken Yellow, 1967 (Copyright the Artist’s Estate. Scott

    Contemporaneity: William Gear

  • (detail) Jackson Pollock, Number 14, 1951, oil paint on canvas (© The Pollock-Kr

    Jackson Pollock @ Tate Liverpool

  • Bridget Riley, Andante 1, 1980 (© 2015 Bridget Riley. All rights reserved, court

    Bridget Riley: The Curve Paintings

  • (detail) Agnes Martin, On a Clear Day, 1973, Parasol Press Ltd.

    Agnes Martin @ Tate Modern

  • (detail) Sonia Delaunay, Syncopated Rhythm, also-called The Black Snake, 1967 (M

    Sonia Delaunay @ Tate Modern

  • (detail) Jock Macdonald, Formative Colour Activity, 1934, oil on canvas, 77 x 66

    Jack Bush & Jock Macdonald

  • (detail) Richard Diebenkorn, Berkeley #57, 1955 (San Francisco Museum of Modern

    Richard Diebenkorn @ the Royal Academy

  • (detail) Johannes Vermeer, The Music Lesson, 1662-65, oil on canvas (Royal Colle

    Monochrome / Duochrome: Thoughts on Color

  • Jules Olitski, With Love and Disregard – Susy and the Elders, 2002

    Abstraction, Figuration & Influence

  • Pat Passlof, Iron, oil on paper, 1951 (courtesy of Elizabeth Harris Gallery)

    Pat Passlof @ Elizabeth Harris Gallery

  • (detail) work by Richard Tuttle (©Richard Tuttle)

    Richard Tuttle @ The Whitechapel Gallery

Sponsors

Vasari Classic Artist's Oil Colors

Like PT on Facebook

 

 

 

Search form

  • Home
  • About
  • Sponsor
  • All Posts
  • All Tags
  • Books
  • Exhibitions
  • Interviews
  • Video
  • Blogroll
  • Artist Blogs
  • Art Writers & Critics
  • Art Magazines & Websites
  • News Media
  • Art Schools & Museums

About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

Painters' Table

   

Painters' Table website © 2010-2023 Brett Baker