Abstract Critical

• Artist Blog
• Arts Website

http://abstractcritical.com/

Recently Featured Posts from this Blog

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  September New York Shows
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  As Wide As A Door Is Open: Material Images
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  EC: Interview
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  Anne Smart: Studio Visit
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  Sandra Blow in Cornwall
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  Robert Motherwell: East Hampton Years
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  Malevich: The Black Square
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  Dominic Beattie
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  Alan Davie: Phenomenon of Expanding Form
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  Gesture & Authenticity in Painting
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  David Saunders: Interview
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  Mary Webb & Sean Scully
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  Sabine Tress: Interview
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  Polke and Richter: All-overness
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  Alan Davie: Space & Spontaneity
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  Robert Longo at Metro Pictures & Petzel
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  Angela de la Cruz & Simon Callery
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  Gary Wragg: Interview
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  Gary Wragg: Constant Within The Change
• 

  The Social Art of Paul Klee
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  Fred Pollock: Portrait of an Abstract Artist
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  Daniel Sturgis @ noshowspace
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  Drawing in Abstract Painting
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  Provisional Painting: Three Hypotheses
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  Abstract Painting in NYC
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  Turner & Frankenthaler: Making Painting
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  Jost Münster, Dominic Beattie & Alice Browne
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  Peter Lanyon: Mural Studies
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  The Edge of Painting
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  David Anfam on Abstract Expressionism
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  Lesley Vance at David Kordandsky
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  Hantaï, Hartung, Soulages & Tàpies
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  Tiepolo & the Abstract Spin
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  Willem de Kooning: 1983-1985
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  Fred Pollock: Studio Visit
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  John Carter: Between Painting & Sculpture
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  William Tillyer: Interview
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  Emyr Williams: Studio Visit
• 

  Hans Hofmann: Magnum Opus
• 

  Frank Bowling: Map Paintings
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  Paul Reed & the Shaped Canvas
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  Painting & Reality: Art as Analogy
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  Abstract Painting in NYC: September
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  Hilde Skilton: Studio Visit
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  Mapping the Abstract
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  Anne Smart: Studio Visit
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  Improvisation in Abstraction
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  Jackson Pollock: Reappraised
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  Pete Hoida: In Conversation
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  Jackson Pollock: The Literary & the Spatial
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  Tom Cross: Early Paintings
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  Andrea Medjesi-Jones: Ventriloquist
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  Titian & Modern Abstraction
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  Pete Hoida
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  Merlin James & Per Kirkeby
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  Robert Motherwell: Collage
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  Clyfford Still: Newly Revealed
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  Susan Roth: Painting Collage, Collaging Painting
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  Painting in the 2.5th Dimension
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  Bernard Cohen at Flowers
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  Alan Davie and Albert Irvin
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  Language of Painting?
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  Annie Lapin & Ann-Marie James
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  Ansel Adams & Abstract Painting
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  Sophia Starling: Interview
• 

  On Frank Bowling
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  John Elderfield on Helen Frankenthaler
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  Intimate Abstraction
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  Albert Oehlen: Aesthetic & Political
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  William Perehudoff (1919 - 2013)
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  Derek Roberts: Northern Paintings
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  Abstract Treatment
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  Andrew Bick: In Conversation
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  Judith Lauand: Synthesis & Precision
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  Mary Webb: Journeys in Colour
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  The Influences of Manet
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  Painting's Iconophilia
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  Cellblock @ Andrea Rosen Gallery
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  Richard Smith: Kite Paintings
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  Lothar Götz: The Line of Beauty
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  John Bunker: Vital Signs
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  Painting & Performance
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  Between Sense and De Kooning
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  Painting After Performance
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  Gillian Ayres: Paintings from the 50s
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  Turner, Monet, Twombly @ the Tate
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  Patrick Jones: Pure Colour
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  Abstraction in an Era of High Definition
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  Wyatt Kahn
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  John Golding: Working Space
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  Richard Diebenkorn: A Door Opened
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  Paul Behnke: A Theatre of Colour
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  The Viewer and The Grid
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  Frank Bowling: In Conversation
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  Simon Callery: Material Landscape
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  Late Matisse: Painterly Architectures
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  Two Very Different Kinds of Abstraction
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  Karl Hyde: Interview
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  Double Vision
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  The Screen & the Workshop
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  Iain Robertson: Accessing the Abstract
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  Geoffrey Rigden
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  Francis Davison: Collage
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  Natalie Dower: Line of Enquiry
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  Charline Von Heyl: Now or Else
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  Mondrian, Nicholson: In Parallel
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  Albert Irvin: In Studio
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  Thoughts on Grids
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  William Turnbull: Beyond Time
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  Joan Mitchell, Exuberance & Generosity
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  Gary Wragg: Positive Provisional
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  Alan Gouk: On His Work
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  Vincent Hawkins: In the Studio
• 

  Indiscipline of Painting: Interview with Daniel Sturgis
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  Painting's Uncomfortable Armchair
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  What Paint Does
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  Basil Beattie: Taking Steps
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  Jonathan Lasker: Pretty Ugly
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  Frank Stella: The Good, The Bad & The Baroque
• 

  Robert Motherwell: A Discussion
• 

  Bad Infinity
• Debating Twombly & Poussin
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  Stephen Westfall: Purism Off Kilter
• Alice Browne: Interview
• Fade Away / Art of Transition
• John McLean