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Recently Featured Posts from this Blog

  • Ewelina Bochenska, Worlds Within Worlds, 11.5 x 9 inches, oil on canvas (courtesy of The Fortnight Institute)

    Ewelina Bochenska @ The Fortnight Institute

  • Laura Owens, Untitled, 2012, acrylic, oil, vinyl paint, resin, pumice, and fabric on canvas, 108 by 84 inches (collection of the artist. courtesy Gavin Brown’s Enterprise, New York and Rome; Sadie Coles HQ, London; and Galerie Gisela Capitain, Cologne)

    Laura Owens: Moving Targets

  • Thomas Trosch, The Unknown Masterpeice, 2017, oil on canvas, 23 3/4 x 39 3/4 inches (courtesy of Fredericks & Freiser)

    Thomas Trosch @ Fredericks & Freiser

  • Florine Stettheimer, Sunday Afternoon in the Country, 1917, oil on canvas, 50 1/2 by 36 1/2 inches (Cleveland Museum of Art)

    Florine Stettheimer: Rococo Subversive

  • David Reed, #64, 1974, oil on canvas, 76 by 56 inches (Goetz Collection, Munich. All Reed paintings this article © David Reed/Artists Rights Society (ARS), New York. Courtesy Gagosian Gallery)

    David Reed: Poems Without Words

  • (detail) Henry Taylor,  Ancestors of Ghenghis Khan with Black Man on horse, 2015–17, acrylic on canvas, 8½ by 20 7/8 feet (courtesy of Blum & Poe, Los Angeles/New York/Tokyo)

    Inside Out: Henry Taylor's Painting

  • Beverly Fishman, Untitled (Opioid Addiction), 2016, Urethane paint on wood, 62 x 62 x 2 inches (photo: PD Rearick, courtesy CUE Art Foundation)

    Beverly Fishman: The Drug of Abstraction

  • (detail) Painting by Lee Lozano at KARMA (image: Contemporary Art Daily)

    Lee Lozano @ KARMA

  • (detail) Mimi Gross: Elevator Ladies, 1965, oil and crayon on paper, 9 7/8 x 19 7/8 inches (courtesy of the artist)

    Mimi Gross: In Her World

  • James Ensor, Skeletons Fighting over a Pickled Herring, 1891, oil on panel, 16 x 21.5 cm (Photo © Musées royaux des Beaux-Arts de Belgique, Brussels, photo: J. Geleyns - Ro scan / © DACS 2016)

    James Ensor @ The Royal Academy

  • Brothers Le Nain, The Resting Horseman, ca. 1640, oil on canvas, 22 1/2 by 26 1/2 inches (Victoria and Albert Museum, London)

    Before Realism: Valentin de Boulogne & the Brothers Le Nain

  • Ginny Casey, Drawer Game, 2016, oil on canvas, 43 x 40 inches (Half Gallery)

    Ginny Casey @ Half Gallery

  • (detail) Etel Adnan, A Window through a Window, 2016, wool tapestry (Image © Tristan Fewings / Getty)

    Etal Adnan: The Weight of the World

  • (detail) Rosalyn Drexler, The Dream, 1963, acrylic and paper collage on canvas, 40 x 30 inches (courtesy of Garth Greenan Gallery)

    Rosalyn Drexler: Varieties of Reclamation

  • (detail) Rochelle Feinstein, Love Your Work (Part of Love Vibe), 1994–2009 (courtesy die Künstlerin and On Stellar Rays, New York)

    Rochelle Feinstein: The Big Picture

  • (detail) Rubens Ghenov, Martaprmarwa, 2016, acrylic on linen, 20 x 16 inches  (courtesy of Morgan Lehman Gallery)

    Rubens Ghenov @ Morgan Lehman

  • (detail) Alma Thomas, Iris, Tulips, Jonquils and Crocuses, 1969, acrylic on canvas, 60 by 50 inches (National Museum of Women in the Arts, Washington, D.C.)

    Alma Thomas: Through Color

  • Sarah Awad, Desert Comfort, 2015  (courtesy of the artist and  Diane Rosenstein

    Sarah Awad: Gate Paintings

  • (detail) Frank Stella, Targowica III, 1973, felt and acrylic paint on Tri-Wall c

    Frank Stella Since 1970

  • Keltie Ferris, W(A(V)E)S, 2015 (courtesy of the artist and Mitchell-Innes & Nash

    Keltie Ferris: Interview

  • (detail) Albert Oehlen, Untitled, 1993, oil on fabric, 76 3/4 by 56 3/4 inches (

    Albert Oehlen: The Accidental Abstractionist

  • (detail) Wendy White, The Midge Game, 2014, acrylic on UV vinyl, wood and gold m

    Wendy White: Interview

  • (detail) Nicholas Krushenick, Electric Soup, 1969, acrylic on canvas, 90 1/8 x 7

    Nicholas Krushenick: Inventing Pop Abstraction

  • Jane Freilicher, Twelfth Street and Beyond, 1976, oil on linen, 50 by 60 inches

    John Ashbery on Jane Freilicher

  • (detail) Howardena Pindell, Untitled #19, 1977 (courtesy Garth Greenan Gallery)

    Howardena Pindell: The Hole Truth

  • (detail) Louis Cane, Toile découpée, 1974 (courtesy of Cherry and Martin)

    Supports / Surfaces: Theory & Matter

  • (detail) Simon Hantaï, Blanc, 1974 (courtesy of Paul Kasmin Gallery)

    Simon Hantaï @ Paul Kasmin

  • Elena Sisto, Red Stretcher 2013 (courtesy of the artist and Lori Bookstein Fine

    Elena Sisto: Interview

  • (detail) Franceso Clemente, Ritz, 1983, watercolor on paper, 14 x 20 inches (cou

    Neo - Expressionism Not Remembered

  • Matthew Wat­son, K.W., 2012, oil on linen, 20 x 16 inches (courtesy of Joe Sheft

    Matthew Watson: Personal Exchanges

  • Installation view of Wade Guyton OS (photograph by Ron Amstutz, courtesy of the

    Painting in the Age of Digital Reproduction

  • (detail) Louise Fishman, Ashkenazi, 1978, oil on linen, 32 x 48 inches (courtesy

    Louise Fishman: A Restless Spirit

  • (detail) Geoff Hippenstiel, Untitled, 2011, oil on linen, 95 1/2 x 71 1/2 inches

    Geoff Hippenstiel

  • Rita Ackermann: Fire by Days, installation view (courtesy The Journal Gallery)

    Rita Ackermann: Fire by Days

  • (detail) Jacqueline Humphries, Untitled, 2012, oil on cavas, 90 x 96 inches (cou

    Jacqueline Humphries: Silver & Noir

  • (detail) Sergej Jensen, Unititled 2010, stained and dyed sewn fabrics, 122 x 118

    Provisional Painting: Part 2

  • Chris Martin, Ganges Sunrise Asi Ghat Varanasi…, 2002, oil on canvas, 129 X 143

    Chris Martin: Wake Up Call

  • Milton Resnick in his Spruce Street Studio, New York, 1963, Photo: Robert Elliso

    David Reed on Milton Resnick

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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