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Recently Featured Posts from this Blog

  • David Bomberg, D. Ghetto Theatre, 1920 (Estate of David Bomberg/Bridgeman Art Library)

    David Bomberg’s Profound Modernism

  • Paula Rego: The Family, 1988 (courtesy of the artist and Marlborough International Fine Art)

    Devastatingly Human

  • Steve DiBenedetto: Traipser, 2018 (courtesy of the artist and Derek Eller Gallery)

    Steve DiBenedetto: A Denatured Humanism

  • Josef Albers: Bauhaus in Mexico

  • (detail) Jean Honoré Fragonard: Woman with a Dog, identified as Marie-Émilie Coignet de Courson (1727–1806), circa 1769 (Metropolitan Museum of Art/Art Resource, NY)

    Fragonard's Merry Company

  • Laura Owens, Untitled, 66 x 66 inches, 2004 (courtesy of Laura Owens, Collection of Nina Moore)

    Laura Owens: Art in Free Fall

  • Camille Pissarro: Hoar Frost (Gelée blanche à Ennery), 1873 (Musée d’Orsay, Paris)

    Camille Pissarro: The Perennial Student

  • Ellen Berkenblit, I Don't Object If You Call Collect, 2017 (courtesy of Anton Kern Gallery)

    Ellen Berkenblit @ Anton Kern

  • Henri Matisse, Vase of Flowers, 1924 (Museum of Fine Arts, Boston)

    Matisse: The Joy of Things

  • Attributed to the Berlin Painter, c. 500–490 BC, detail from Red-figure hydria showing Apollo seated on a winged tripod (Vatican Museums)

    The Vitality of the 'Berlin Painter'

  • (detail) Robert Rauschenberg, Retroactive II 1963, oil, silkscreen, and ink on canvas 80 × 60 inches (Collection Museum of Contemporary Art Chicago, Photo: Nathan Keay, © MCA Chicago)

    Rauschenberg: The Confidence Man of American Art

  • Howard Hodgkin, Mr and Mrs E. J. P., 1969-1973 (Tate Gallery, 1996/Howard Hodgkin)

    Howard Hodgkin: Paintings That Shout

  • Josef Albers, Bullfight, San Sebastian, 1929 (Museum of Modern Art, New York/Jo Carole, Ronald S. Lauder, and Jon L. Stryker)

    Josef Albers: Art to Open Eyes

  • (detail) Hercules Segers, Small Wooded Landscape with a Road and a House, ca. 1618-22, Line etching printed on linen with a dark yellow ground, 6 in. × 3 3/4 inches (British Museum, London)

    Hercules Segers: Master of the Unreal

  • Elliott Green, Human Nature, 2017 (courtesy of Pierogi Gallery)

    Elliott Green: The Painter of Continuous Motion

  • Carmen Herrera: Untitled, 1948 (Collection of Yolanda Santos)

    Carmen Herrera: Art Without Lies

  • José Clemente Orozco, Barricade, 1931, oil on canvas, 55 x 45 inches ( The Museum of Modern Art, New York: Given anonymously, 468.1937  © VEGAP, Madrid, 2016)

    Paint the Revolution: Mexican Modernism

  • (detail) Alice Neel: Mother and Child (Nancy and Olivia), 1967 (collection of Diane and David Goldsmith)

    The Soul of Alice Neel

  • (detail) Lucian Freud, Unfinished self-portrait, c. 1980 (Estate of Lucian Freud/National Portrait Gallery, London/The Lucian Freud Archive)

    Lucian Freud: The Pitiless Eye

  • Stuart Davis, American Painting, 1932/1942–1954 (Estate of Stuart Davis/VAGA, New York/Joslyn Art Museum, Omaha)

    Stuart Davis: The Great American Cubist

  • Hieronymus Bosch, The Temptations of Saint Anthony, c. 1510–1515 (Museo Nacional del Prado, Madrid)

    The Mystery of Hieronymus Bosch

  • Eric Ravilious: Train Landscape, 1940 (Aberdeen Art Gallery & Museums Collection

    Eric Ravilious: Modern, English & Strange

  • Edward Hopper, Approaching a City, 1946 (Phillips Collection, Washington, D.C.)

    Mark Strand on Edward Hopper

  • (detail) Francisco Goya, Nightmare 1819-1823 (Musée des Beaux-Arts, Marseille)

    Goya Takes Flight

  • Philip Guston, Farnesina Garden Rome, 1971 (Lyman Allyn Art Museum, New London)

    Robert Storr on Philip Guston

  • (detail) Vincent van Gogh: Self-Portrait, summer 1887 (Van Gogh Museum, Amsterda

    Van Gogh: Courage & Cunning

  • (detail) Francisco Goya, Self-Portrait, 1815 (Museo Nacional del Prado, Madrid)

    Goya: Dark & Light

  • Pablo Picasso, Women of Algiers (after Delacroix) 1955© 2014 Estate of Pablo Pic

    Picasso in the Present

  • (detail) Georges Braque, Trees at L’Estaque, summer 1908 (Promised Gift from the

    Cubism: Taking a Wrench to Reality

  • (detai) Kazimir Malevich: Bather, 1911 (Stedelijk Museum, Amsterdam)

    Malevich: Beyond the Black Square

  • (detail) Sigmar Polke, Alice in Wonderland, 1972 (Private Collection © 2014 Esta

    Wildly Inventive Sigmar Polke

  • (detail) El Greco, The Disrobing of Christ, 1577–1579 (Toledo Cathedral)

    Irresistible El Greco

  • (detail) Paolo Veronese: The Family of Darius before Alexander, 1565–1567 (Natio

    Veronese: Majesty, Vehemence, Splendor

  • (detail) Piero della Francesca, Madonna and Child with Two Angels (Galleria Nazi

    Quiet, Sensuous Piero

  • L.S. Lowry, Fylde, 1953, oil on canvas, 48.9 x 59.1 cm (©Estate of L.S. Lowry)

    Discovering L.S. Lowry

  • Leonardo da Vinci, Virgin of the Rocks, Two versions (left) 1483–1490, collectio

    Leonardo's Competing Visions

  • Elizabeth Bishop's Other Art

  • The Last Irascible

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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