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Books

  • (detail) Thomas Hart Benton, Cut The Line, 1944, oil on board, Navy Art Collecti

    Thomas Hart Benton: Counterpoint to Modernism

    via: Supreme Fiction
  • (detail) Jan van Eyck, The Madonna of Chancellor Rolin, c. 1435, Louvre, Paris

    Jan van Eyck: The Play of Realism

    via: Modern Art Notes
  • (detail) David Park, Bather with Green Sea, oil on canvas, 1958, 27 3/4 x 13 3/4

    David Park: A Painter's Life

    via: John Seed, Huffington Post
  • Anonymous, Jaiper, 1995, 12.75 x 8.5 inches, mixed media on paper (courtesy of F

    The Quiet Depth of Tantric Paintings

    via: Studio and Garden
  • (detail) Ethel Schwabacher, Title Unknown (Woman Series), 1955, Oil on canvas, 3

    Ethel Schwabacher: Hungry for Light

    via: Painting Research
  • William H. Johnson, Still Life, 1938

    William H. Johnson: American Modern

    via: Artes Magazine
  • (detail) Richard Dadd, The Fairy Feller's Master Stroke, c. 1855-64

    The Madness of Richard Dadd

    via: Spread ArtCulture
  • Aelbert Cuyp, Young Herdsman with Cows, c. 1665, detail

    Zbigniew Herbert on Dutch Painting

    via: Studio and Garden
  • Rome: Eternal City of Painting

    via: Picture This
  • Joan Mitchell: The Finest Mind

    via: Picture This
  • Self-Taught Painting: The Petullo Collection

    via: Process
  • Fairfield Porter, painting, detail

    Fairfield Porter: Mystery & Reality

    via: Painting Perceptions
  • John McLean

    via: Abstract Critical
  • Teller of Tales

    via: artcritical
  • Provincetown Painting

    via: Art In The Studio
  • Artists' Bookshelves

    via: Lisa Pressman Art Blog
  • Modigliani (Part Two)

    via: Art In The Studio
  • Elizabeth Bishop's Other Art

    via: New York Review of Books
  • Modigliani

    via: Art In The Studio
  • Callum Innes / Colm Toíbín

    via: BOMBLOG

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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