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Alberto Giacometti

  • Alberto Giacometti, Diego Seated, 1948, oil on canvas (©2017 Alberto Giacometti Foundation, ACS, and DACS/Sainsbury Centre for the Visual Arts, Norwich)

    Alberto Giacometti and Alice Neel

    via: The Nation
  • (detail) Alberto Giacometti, Diego Seated, 1948, oil on canvas (©2017 Alberto Giacometti Foundation, ACS, and DACS/Sainsbury Centre for the Visual Arts, Norwich)

    Giacometti, Frontality and Cubism

    via: ARTnews
  • Alberto Giacometti, Small Self Portrait, 1921 (Kunsthaus Zürich, Bequest Bruno G

    Giacometti: Pure Presence

    via: The Spectator
  • (detail) Jean-Baptiste-Siméon Chardin, Attributs du peintre (Attributes of the P

    In the Studio: Paintings @ Gagosian

    via: ARTnews
  • Fernand Léger, Three Women (Le Grand Déjeuner), 1921-22, oil on canvas, 6' 1/4"

    Immoveable Feasts of French Modernism

    via: Hyperallergic
  • (detail) Paul Klee, New Harmony (Neue Harmonie), 1936, (Solomon R. Guggenheim Mu

    New Harmony: Abstraction Between the Wars

    via: Art Observed
  • Installation view: (L to R): Francesco Longenecker, Eric Mavko, Alberto Giacomet

    Giacometti in Bushwick

    via: Bushwick Daily
  • (detail) Nicolas Poussin, Crossing the Red Sea, 1647, pen and brush, brown wash

    On the Importance of Drawing

    via: Too Much Art
  • Alberto Giacometti, Self-portrait, 1921, detail

    Looking for a Bad Giacometti

    via: Philip Koch Paintings
  • “In Giacometti’s Studio” at Eykyn Maclean

    via: Art Observed
  • On Process and Creativity

    via: Carol Diehl's Art Vent
  • Giacometti / Fondation Beyeler

    via: Vernissage TV

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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