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Alma Thomas

  • Paule Vézelay, Silhouettes, 1938 (photo: The Estate of Paule Vezelay)

    Surface Work @ Victoria Miro

    via: The Guardian
  • Mildred Thompson, Magnetic Fields, 1991, oil on canvas, 70 x 150 inches (courtesy of the Mildred Thompson Estate, Atlanta, GA)

    Magnetic Fields: Expanding American Abstraction

    via: Hyperallergic
  • (detail) Alma Thomas, Iris, Tulips, Jonquils and Crocuses, 1969, acrylic on canvas, 60 by 50 inches (National Museum of Women in the Arts, Washington, D.C.)

    Alma Thomas: Through Color

    via: Art in America
  • (detail) Alma Thomas, Snoopy Sees Earth Wrapped in Sunset, 1970 (Smithsonian American Art Museum)

    Alma Thomas @ the Studio Museum

    via: The New Yorker
  • (detail) Alma Thomas, The Azaleas Sway with the Breeze, 1969, acrylic and graphi

    Washington Color School Reconsidered

    via: Joanne Mattera Art Blog
  • Edith Schloss, Untitled, 1973, oil on canvas, 31 5⁄8 x 35 5⁄8 inches (courtesy o

    On Being a 'Lady' Painter

    via: A Year of Positive Thinking
  • (detail) Pat Passlof, Hawthorne, 1999 Oil on linen 87 x 75 inches (courtesy of E

    To Be a Lady Painter

    via: Supreme Fiction
  • (detail) Alma Thomas, Red Scarlet Sage, 1976, acrylic on canvas, 46 x 36 inches

    To Be A Lady

    via: Hyperallergic

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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