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Baroque

  • Ribera, Mantegna & Bellini

    via: AbCrit
  • (detail) Guido Cagnacci, The Repentant Magdalene, ca. 1660−63, iil on canvas, 90 1/4 x 104 3/4 inches (Norton Simon Art Foundation, Pasadena, California)

    Guido Cagnacci @ the Frick

    via: The New Criterion
  • (detail) Parmigianino, (1503–40) Woman Seated on the Ground, c. 1523–24, Black c

    Mantegna to Matisse @ the Frick

    via: Art Unwashed
  • Giovanni Francesco Barbieri (Guercino), Mars With Cupid, Cincinnati Art Museum,

    Guercino's Mars with Cupid

    via: Aeqai
  • (detail) Samson and Delilah, Peter Paul Rubens, Probably 1609, Oil on panel, 52.

    Rubens: Samson and Delilah

    via: Aeqai
  • (detail) Frank Stella, The Shark Massacre, 1988 mixed media on etched magnesium

    Frank Stella: The Good, The Bad & The Baroque

    via: Abstract Critical
  • Nicolas Poussin, Ecstasy of Saint Paul, 1643, detail

    Painting @ The Ringling

    via: Hyperallergic
  • Peter Paul Rubens, Descent from the Cross, The Courtauld Institute of Art

    Rubens in London

    via: Berkshire Review

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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