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Elizabeth Murray

  • Paule Vézelay, Silhouettes, 1938 (photo: The Estate of Paule Vezelay)

    Surface Work @ Victoria Miro

    via: The Guardian
  • David Reed, #64, 1974, oil on canvas, 6 feet 4 inches x 56 inches (photo by Rob McKeever, courtesy Gagosian)

    Back When Painting Was Dead

    via: Hyperallergic
  • Julia Wachtel, Membership, 1984 (courtesy Julia Wachtel / Elizabeth Dee, New York and Whitney Museum of American Art)

    Fast Forward: Painting from the 1980s

    via: The New Yorker
  • Imi Knoebel Kartoffelbild 15, 2012 (  © Imi Knoebel; Artists Rights Society (ARS), New York / VG Bild-Kunst, Germany)

    Shapeshifters @ Luhring Augustine

    via: artcritical
  • Elizabeth Murray, Do the Dance, 2005 (Museum of Modern Art, New York)

    Carrie Moyer on Elizabeth Murray

    via: Painters on Paintings
  • (detail) Elizabeth Murray, Lovers, mezzotint, 1996, 28 x 26 1/2 inches (courtesy

    Elizabeth Murray @ Stanford

    via: Squarecylinder
  • (detail) Nicholas Krushenick, United Color Kit, 1967, acrylic on canvas, 51 x 39

    Pop Abstraction @ Fredericks & Freiser

    via: James Kalm Rough Cut
  • (detail) Joan Snyder, Beanfield with Music, 1984, oil and acrylic on canvas, 72

    Abstraction's Possible Histories

    via: mostperfectworld
  • (detail) Stanley Whitney, Sixteen Songs, 1984, oil on linen, 66 x 108 inches (co

    Raphael Rubinstein: Interview

    via: Art Extrovert
  • (detail) Joan Snyder, Beanfield with Music 1984 (courtesy of Cheim & Read)

    Raphael Rubinstein on NY Painting in the 80s

    via: Brooklyn Rail
  • Thomas Nozkowski, Untitled (6-30), 1988, oil on canvas board, 16 x 20 inches (co

    Painting on the Cusp

    via: Hyperallergic
  • (detail) Mary Heilmann, Rio Nido, 1987, acrylic and oil on canvas, 39 x 58 inche

    Reinventing Abstraction

    via: James Kalm Report
  • Elizabeth Murray working on the painting Bop, 2002-03 (Still from the series Exc

    Elizabeth Murray: In the Studio

    via: Art:21 Magazine
  • Edith Schloss, Untitled, 1973, oil on canvas, 31 5⁄8 x 35 5⁄8 inches (courtesy o

    On Being a 'Lady' Painter

    via: A Year of Positive Thinking
  • (detail) Pat Passlof, Hawthorne, 1999 Oil on linen 87 x 75 inches (courtesy of E

    To Be a Lady Painter

    via: Supreme Fiction
  • (detail) Alma Thomas, Red Scarlet Sage, 1976, acrylic on canvas, 46 x 36 inches

    To Be A Lady

    via: Hyperallergic
  • Elizabeth Murray, Yellow Blue Center Fall, summer 1974, detail

    Elizabeth Murray's Narrative Geometries

    via: Studio and Garden
  • John Lees, Courtyard (Oval), 1989-2010, detail

    25th Street Painting

    via: Left Bank Art Blog
  • Elizabeth Murray, Everybody Knows, 2007, oil on canvas, detail

    Elizabeth Murray at Pace

    via: Two Coats of Paint

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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