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Frank Stella

  • Frank Stella, "East Broadway", 1958. Oil on canvas, 85 1/4 x 81 in (216.5 x 205.7 cm). Addison Gallery of American Art, Phillips Academy, Andover, Massachuetts, Gift of the artist (PA 1954), 1980.14. © 2016 Frank Stella / Artists Rights Society (ARS), New York

    Stella Still Intriguing

    via: Artillery
  • (detail) Frank Stella, Gobba, zoppa e collotorto, 1985, oil, urethane enamel, fluorescent alkyd, acrylic, and printing ink on etched magnesium and aluminum, 137 × 120 1/8 × 34 3/8 inches (The Art Institute of Chicago, © 2015 Frank Stella/Artists Rights Society)

    Rhetorical Abstraction in the Age of the Incidental Viewer

    via: Hyperallergic
  • Imi Knoebel Kartoffelbild 15, 2012 (  © Imi Knoebel; Artists Rights Society (ARS), New York / VG Bild-Kunst, Germany)

    Shapeshifters @ Luhring Augustine

    via: artcritical
  • (detail) Frank Stella, The Whiteness of the Whale, 1987, paint on aluminum, 149

    Ahab, the Pequod and Frank Stella

    via: Painting: Martin Mugar
  • (detail) Frank Stella, Marrakech, 1964 (The Metropolitan Museum of Art © 2015 Fr

    Frank Stella @ The Whitney

    via: The New Yorker
  • (detail) Frank Stella, Targowica III, 1973, felt and acrylic paint on Tri-Wall c

    Frank Stella Since 1970

    via: Art in America
  • (detail) Frank Stella, Grajau I (photo: Frank Stella/Artists Rights Society)

    Frank Stella: Profile

    via: The Guardian
  • Frank Stella, Bogoria I, 1971, mixed media relief, 90 x 116 inches (courtesy of

    Frank Stella @ Leslie Feely Gallery

    via: New American Paintings Blog
  • (detail) Alfred Leslie, Untitled, 1960, mixed media and collage on board, 7 7/8

    Painterly Pasted Pictures

    via: The New Criterion
  • (detail) Shinique Smith, Gravity of Love, 2013, ink, acrylic, paper and fabric c

    From Color Field to Figure

    via: Raggedy Ann's Foot
  • (detail) Helen Frankenthaler, Moveable Blue, 1973 (courtesy of Mitchell-Innes &

    Path of Abstraction

    via: From the Mayor's Doorstep
  • Vincent van Gogh, 1888, oil on canvas, 28.5 × 36.3 inches (Yale University Art G

    Shadowy Things & The Pulpit of Modernism

    via: The Maximilian
  • (detail) Emilio Vedova, Plurimo Omaggio a Dada Berlin, 1964-1965 (private collec

    Emilio Vedova & Frank Stella

    via: Robert Linsley
  • (detail) Installation view, Frank Stella: Black, Aluminum and Copper Paintings a

    Frank Stella's Fine Disregard

    via: Hyperallergic
  • (detail) Frank Stella, The Shark Massacre, 1988 mixed media on etched magnesium

    Frank Stella: The Good, The Bad & The Baroque

    via: Abstract Critical
  • Frank Stella & Santiago Calatrava Mural Collaboration

    Frank Stella & Santiago Calatrava

    via: I Like This Art
  • Frank Stella, K 43, 2008

    Material Crescendo: Frank Stella

    via: New American Paintings Blog
  • Kenneth Tyler and Frank Stella
    Kenneth Tyler and Frank Stella

    Frank Stella: Working History

    via: Beyond Print
  • David Malek, painting installation

    David Malek at Rawson Projects

    via: 16 Miles of String
  • Frank Stella polygon painting

    Frank Stella's Irregular Polygons

    via: Studio and Garden

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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