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Jack Whitten

  • David Reed, #64, 1974, oil on canvas, 6 feet 4 inches x 56 inches (photo by Rob McKeever, courtesy Gagosian)

    Back When Painting Was Dead

    via: Hyperallergic
  • (detail) Black Monolith X, Birth of Muhammad Ali, 2016, acrylic on canvas, 84 x 63 inches (courtesy of Hauser & Wirth)

    Jack Whitten: Interview

    via: The Paris Review Daily
  • (detail) Jack Whitten, Quantum Wall, II (Missing Matter), 2016, acrylic on canvas, 48 x 96 x 3 inches (© Jack Whitten, courtesy of the artist and Hauser & Wirth)

    Jack Whitten: Interview

    via: Brooklyn Rail
  • Jack Whitten, NY Battle Ground, 1967, oil on canvas © Jack Whitten/Artists Right

    Jack Whitten: Profile

    via: ARTnews
  • (detail) Jack Whitten, Chinese Sincerity, 1974, acrylic on canvas (courtesy of A

    Jack Whitten: Interview

    via: Modern Art Notes Podcast
  • Installation view: This One’s Optimistic: Pincushion curated by Cary Smith, at t

    Abstraction in Connecticut

    via: Two Coats of Paint
  • (detail) Romare Bearden, Strange Land, 1960, oil on canvas, 58 x 42 inches (cour

    African American Abstractionists

    via: ARTnews
  • (detail) Jack Whitten, Remote Control, 2013 (courtesy of Alexander Gray Associat

    Jack Whitten: Cosmic Put-on

    via: artcritical
  • (detail) Jack Whitten, Asa’s Palace, 1973 (courtesy of the artist and Alexander

    Jack Whitten: Interview

    via: Modern Art Notes
  • (detail) Jack Whitten, Warped Circle (For Alan Shields), 2013, acrylic on canvas

    Jack Whitten: Interview

    via: Artinfo
  • (detail) Joan Snyder, Beanfield with Music, 1984, oil and acrylic on canvas, 72

    Abstraction's Possible Histories

    via: mostperfectworld
  • (detail) Stanley Whitney, Sixteen Songs, 1984, oil on linen, 66 x 108 inches (co

    Raphael Rubinstein: Interview

    via: Art Extrovert
  • (detail) Joan Snyder, Beanfield with Music 1984 (courtesy of Cheim & Read)

    Raphael Rubinstein on NY Painting in the 80s

    via: Brooklyn Rail
  • Thomas Nozkowski, Untitled (6-30), 1988, oil on canvas board, 16 x 20 inches (co

    Painting on the Cusp

    via: Hyperallergic
  • (detail) Mary Heilmann, Rio Nido, 1987, acrylic and oil on canvas, 39 x 58 inche

    Reinventing Abstraction

    via: James Kalm Report
  • Jack Whitten, Untitled Study #2, pastel and powdered pigment on paper, 1972 (cou

    Jack Whitten: Erasures

    via: Hyperallergic

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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