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Jay DeFeo

  • Paule Vézelay, Silhouettes, 1938 (photo: The Estate of Paule Vezelay)

    Surface Work @ Victoria Miro

    via: The Guardian
  • Deborah Remington, Apropos or Untitled, 1953, oil paint on canvas (Denver Art Museum: Vance H. Kirkland Acquisition Fund, 2015.225. Courtesy of the Deborah Remington Charitable Trust for the Visual Arts)

    Women of Abstract Expressionism

    via: Artillery
  • Elaine de Kooning, Bullfight, 1959, oil on canvas, 77-5/8 x 131-1/4 x 1-1/8 inches (Denver Art Museum: Vance H. Kirkland Acquisition Fund. © Elaine de Kooning Trust)

    Women of Abstract Expressionism

    via: Hyperallergic
  • (detail) Joan Mitchell, Hudson River Day Line, 1955, oil paint on canvas, 79 × 8

    Women of Abstract Expressionism

    via: ARTnews
  • (detail) Jay DeFeo, Hawk Moon No. 1, 1983-85, oil on canvas, 84 x 60 inches (© 2

    Jay DeFeo: Alter Ego

    via: SFAQ
  • (detail) Jay DeFeo, Untitled 1975, photo collage with photocopy, 9 15/16 x 7 15/

    Lucy Mitchell-Innes on Jay DeFeo

    via: Tilted Arc
  • (detail) Jay DeFeo, Reflections of Africa No. 7, 1987 (courtesy of Mitchell-Inne

    Searching for Jay DeFeo (Again)

    via: Hyperallergic
  • (detail) Jay DeFeo, White Shadow, 1972, acrylic on masonite, 48 x 37 1/8 inches

    Painting in Chelsea: May

    via: Structure and Imagery
  • (detail) Jay DeFeo, Masquerade in Black (Loop System No. 4), 1975 © 2012 The Jay

    Jay DeFeo at the Whitney

    via: Aeqai
  • Installation view of Jay DeFeo: A Retrospective (Whitney Museum of American Art,

    Jay DeFeo: Romance of the Rose

    via: The Paris Review Daily
  • (detail) Jay DeFeo, The Rose, 1958-66, Whitney Museum of American Art, New York;

    Jay DeFeo: Close Up

    via: James Kalm Report
  • Edith Schloss, Untitled, 1973, oil on canvas, 31 5⁄8 x 35 5⁄8 inches (courtesy o

    On Being a 'Lady' Painter

    via: A Year of Positive Thinking
  • ay DeFeo, Dove One, 1989; oil on linen; 16 x 20 in.; Collection of Dan and Clair

    Jay Feo: Last Paintings

    via: Daily Serving
  • (detail) Jay DeFeo, Origin, 1956, © 2012 The Jay DeFeo Trust / Artists Rights So

    Jay DeFeo: Sacred & Profane

    via: Hyperallergic
  • Jay DeFeo: Chancing the Ridiculous

    via: PT Blog
  • (detail) Jay DeFeo, Oracle (One O’clock Jump series), 1979, acrylic, graphite an

    Jay DeFeo: Mechanics

    via: Squarecylinder
  • (detail) Pat Passlof, Hawthorne, 1999 Oil on linen 87 x 75 inches (courtesy of E

    To Be a Lady Painter

    via: Supreme Fiction
  • (detail) Alma Thomas, Red Scarlet Sage, 1976, acrylic on canvas, 46 x 36 inches

    To Be A Lady

    via: Hyperallergic
  • (detail) Jay DeFeo, Reflections of Africa, 1987, graphite, oil pastel on paper,

    Jay DeFeo @ Hosfelt Gallery

    via: New American Paintings Blog
  • Jay DeFeo, Origin, 1956

    In Perpetuity: Abstract Now / Abstract Then

    via: Daily Serving

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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