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Kazimir Malevich

  • (detail) Marc Chagall, Cubist Landscape, 1919, oil, tempera, graphite, plaster on canvas, 100 × 59 cm (Collection Centre Pompidou, musée national d’art moderne; photo: Ph. Migeat/Dist. RMN/GP; © Adagp, Paris 2018)

    Marc Chagall & the People's Art School

    via: Hyperallergic
  • (detail) Kazimir Malevich, Self Portrait, 1908-1910 (State Tretyakov Gallery, Mo

    Malevich's Absurdism

    via: Frieze Magazine
  • (detail) Installation view: Kazimir Malevich’s paintings at ‘The Last Futurist E

    Malevich: The Cosmos & the Canvas

    via: Tate Blog
  • (detai) Kazimir Malevich: Bather, 1911 (Stedelijk Museum, Amsterdam)

    Malevich: Beyond the Black Square

    via: New York Review of Books
  • (detail) Kazimir Malevich, Black Square, 1929, © State Tretyakov Gallery, Moscow

    Malevich: The Black Square

    via: Abstract Critical
  • (detail) Corinne Wasmuht, Caleta GR, 2009, oil on wood, 87 x 135  inches (courte

    Painting & Reality: Art as Analogy

    via: Abstract Critical
  • (detail) Kazimir Malevich, Black Square on a White Ground, 1915, oil on linen, 7

    Kazimir Malevich: Becoming Revolutionary

    via: e-flux
  • (detail) Caravaggio, St. Jerome Writing, c.1606, 44 × 62 inches (Galleria Borghe

    Considering Black in Painting

    via: Mute Magazine
  • Kasimir Malevich, Last Futurist Exhibition of Paintings 0.10, Dobychina Art Bure

    Kazimir Malevich: Untethered Spirit

    via: Henri Art Magazine
  • (detail) Philip Guston, Light Bulb, oil on panel, 12 x 14 inches

    Form & Spirit

    via: Studio and Garden
  • Franz Kline, Mahoning, 1956, oil and paper collage on canvas, 80 × 100 inches (W

    Painting in Black & White

    via: Tamar Zinn
  • Kazimir Malevich, Suprematism, 18th Construction, 1915, detail

    Painted into a (Beautiful Corner)

    via: BOMBLOG

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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