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Mary Heilmann

  • Paule Vézelay, Silhouettes, 1938 (photo: The Estate of Paule Vezelay)

    Surface Work @ Victoria Miro

    via: The Guardian
  • David Reed, #64, 1974, oil on canvas, 6 feet 4 inches x 56 inches (photo by Rob McKeever, courtesy Gagosian)

    Back When Painting Was Dead

    via: Hyperallergic
  • Julia Wachtel, Membership, 1984 (courtesy Julia Wachtel / Elizabeth Dee, New York and Whitney Museum of American Art)

    Fast Forward: Painting from the 1980s

    via: The New Yorker
  • (detail) Mary Heilmann, Primalon Ballroom, 2002, oil on canvas on wood,127 × 101.6cm (© Mary Heilmann, photo: Oren Slor, courtesy of the artist, 303 Gallery, New York, and Hauser & Wirth)

    Mary Heilmann @ the Whitechapel Gallery

    via: AbCrit
  • (detail) Mary Heilmann, Crashing Wave, 2011 ( © Mary Heilmann, Photo: Thomas Mül

    Mary Heilmann: Profile

    via: The Guardian
  • (detail) Mary Heilmann, Rose Wave, 2013, oil on canvas, 20 x 24 inches (courtesy

    Mary Heilmann: Life into Art

    via: Studio and Garden
  • Installation view: Mary Heilmann and David Reed, “Two by Two,” Hamburger Bahnhof

    Mary Heilmann & David Reed: Interview

    via: Brooklyn Rail
  • (detail) Stanley Whitney, Untitled, 2013, gouache on paper, 22 x 30 1/8 inches (

    Paintings on Paper

    via: Tamar Zinn
  • (detail) Joan Snyder, Beanfield with Music, 1984, oil and acrylic on canvas, 72

    Abstraction's Possible Histories

    via: mostperfectworld
  • (detail) Stanley Whitney, Sixteen Songs, 1984, oil on linen, 66 x 108 inches (co

    Raphael Rubinstein: Interview

    via: Art Extrovert
  • (detail) Joan Snyder, Beanfield with Music 1984 (courtesy of Cheim & Read)

    Raphael Rubinstein on NY Painting in the 80s

    via: Brooklyn Rail
  • Thomas Nozkowski, Untitled (6-30), 1988, oil on canvas board, 16 x 20 inches (co

    Painting on the Cusp

    via: Hyperallergic
  • (detail) Mary Heilmann, Rio Nido, 1987, acrylic and oil on canvas, 39 x 58 inche

    Reinventing Abstraction

    via: James Kalm Report
  • (detail) Keltie Ferris, Siasec Yem, 2012, oil and acrylic on canvas (courtesy of

    Painting Expanded

    via: Art Practical
  • (detail) Mary Heilmann, San Gregorio, 2012, oil on canvas, 15 x 12 inches (court

    Mary Heilmann: Interview

    via: Hyperallergic
  • (detail) Helen Frankenthaler, Moveable Blue, 1973 (courtesy of Mitchell-Innes &

    Path of Abstraction

    via: From the Mayor's Doorstep
  • Mary Heilmann, Visions, Waves and Roads, 2012, Installation view (courtesy Hause

    Mary Heilmann's Indiscipline of Painting

    via: Studio International

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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Painters' Table website © 2010-2023 Brett Baker