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Pop Art

  • Wayne Thiebaud, Two Paint Cans, 1987 (courtesy of White Cube, © Wayne Thiebaud/DACS, London/VAGA, New York 2017)

    Wayne Thiebaud: Interview

    via: Apollo Magazine
  • (detail) Robert Rauschenberg, Retroactive II 1963, oil, silkscreen, and ink on canvas 80 × 60 inches (Collection Museum of Contemporary Art Chicago, Photo: Nathan Keay, © MCA Chicago)

    Rauschenberg: The Confidence Man of American Art

    via: New York Review of Books
  • (detail) Rosalyn Drexler, The Dream, 1963, acrylic and paper collage on canvas, 40 x 30 inches (courtesy of Garth Greenan Gallery)

    Rosalyn Drexler: Varieties of Reclamation

    via: Art in America
  • Wayne Thiebaud, Two Candy Sticks, 2004, oil on board, 10 1/2 x 13 3/8 inches (courtesy of John Berggruen Gallery)

    Wayne Thiebaud: Profile

    via: Art Review
  • (detail) Nicholas Krushenick, Greensboro, 1975, acrylic on canvas (Collection of

    Nicholas Krushenick @ the Tang

    via: Two Coats of Paint
  • Installation view, Joyce Pensato, Castaway Petzel Gallery, New York (courtesy of

    Joyce Pensato: Castaway

    via: Hyperallergic
  • Rosalyn Drexler, Last Call (Marlene Dietrich in Hell), 1988 Acrylic and paper co

    Rosalyn Drexler: Vulgar Lives

    via: The Artblog
  • (detail) Nicholas Krushenick, Electric Soup, 1969, acrylic on canvas, 90 1/8 x 7

    Nicholas Krushenick: Inventing Pop Abstraction

    via: Art in America
  • Robert Rauschenberg, Untitled, 1954 Combine (Private Collection)

    Rauschenberg: Fulton Street Studio

    via: Whitehot Magazine
  • (detail) Sigmar Polke, Raster Drawing (Portrait of Lee Harvey Oswald) © 2014 Est

    Sigmar Polke's Provincialism

    via: Hyperallergic
  • (detail) Robert Longo, After Krasner (Birth, 1956), 2014, charcoal on mounted pa

    Robert Longo at Metro Pictures & Petzel

    via: Abstract Critical
  • (detail) Nicholas Krushenick, United Color Kit, 1967, acrylic on canvas, 51 x 39

    Pop Abstraction @ Fredericks & Freiser

    via: James Kalm Rough Cut
  • Installation of Carl Ostendarp: Fat Cakes at the Johnson Museum, Ithaca, NY 2012

    Carl Ostendarp: Studio Visit

    via: Pencil in the Studio
  • Patrick Caulfield, Interior with a Picture, 1985-6 (© The estate of Patrick Caul

    Looking at Patrick Caulfield

    via: Tate Shots
  • (detail) Rainer Gross, Double McD I, 2012 (courtesy of Margaret Thatcher Project

    Rainer Gross: Contact Paintings

    via: James Kalm Report
  • (detail) Wayne Thiebaud, Yo Yos, 1963, oil on canvas, 24 x 24 in. (61 x 61 cm).

    Wayne Thiebaud: Limits of Gluttony

    via: Hyperallergic
  • (detail) ames Rosenquist, Multiverse You Are, I Am, 2012, oil on canvas, 132 x 1

    James Rosenquist's Multiverse

    via: Art Observed
  • Michael Bevilacqua, An Ideal For Living, 2012, Acrylic, spray paint & molotow pe

    Michael Bevilacqua: An Ideal For Living

    via: The Painted Word
  • Installation view of James Rosenquist: F-111 (1964-65) at MoMA. Oil on canvas wi

    James Rosenquist's F-111

    via: Inside / Out
  • (detail) Joyce Pensato, 2012 Batman, Enamel on linen, 2012, 80 x 80 inches (cour

    Joyce Pensato: Batman Returns

    via: Marcelo's Art Vlog
  • (detail) James Rosenquist, The Swimmer in the Econo-mist (painting 2), 1997, Oil

    Rosenquist & Ryman

    via: No Hassle At The Castle
  • Valerio Adami, Sigmund Freud in Viaggio Verso Londra, 1973, acrylic on canvas, d

    Valerio Adami

    via: The Silo

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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