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Suprematism

  • (detail) Alexander Rodchenko, Pure Red, Pure Yellow, and Pure Blue, 1921, Oil on

    Rodchenko in Mexico

    via: Glasstire
  • Liubov Popova, Subject From a Dyer’s Shop, 1914 (The Riklis Collection of McCror

    Liubov Popova, an Homage

    via: Hyperallergic
  • (detail) Kazimir Malevich, Self Portrait, 1908-1910 (State Tretyakov Gallery, Mo

    Malevich's Absurdism

    via: Frieze Magazine
  • (detail) Installation view: Kazimir Malevich’s paintings at ‘The Last Futurist E

    Malevich: The Cosmos & the Canvas

    via: Tate Blog
  • (detai) Kazimir Malevich: Bather, 1911 (Stedelijk Museum, Amsterdam)

    Malevich: Beyond the Black Square

    via: New York Review of Books
  • (detail) Kazimir Malevich, Black Square, 1929, © State Tretyakov Gallery, Moscow

    Malevich: The Black Square

    via: Abstract Critical
  • (detail) Kazimir Malevich, Black Square on a White Ground, 1915, oil on linen, 7

    Kazimir Malevich: Becoming Revolutionary

    via: e-flux
  • Kasimir Malevich, Last Futurist Exhibition of Paintings 0.10, Dobychina Art Bure

    Kazimir Malevich: Untethered Spirit

    via: Henri Art Magazine
  • (detail) Piet Mondrian, Compositie, 1916, © 2013 Mondrian/Holtzman Trust, c/o HC

    Inventing Abstraction Revisited

    via: From the Mayor's Doorstep
  • Kazimir Malevich, Suprematism, 18th Construction, 1915, detail

    Painted into a (Beautiful Corner)

    via: BOMBLOG
  • Liubov Popova, painting

    Liubov Popova, Revolutionary

    via: Studio and Garden
  • Liubov Popova painting detail

    Liubov Popova: Painting to Textile

    via: Tate Papers

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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