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Thomas Nozkowski

  • David Reed, #64, 1974, oil on canvas, 6 feet 4 inches x 56 inches (photo by Rob McKeever, courtesy Gagosian)

    Back When Painting Was Dead

    via: Hyperallergic
  • Thomas Nozkowski, Untitled (7-10), 1992, 16 × 20 inches (© Thomas Nozkowski, photo: Tom Barratt, courtesy of Pace Gallery)

    Thomas Nozkowski @ Pace Gallery

    via: Brooklyn Rail
  • Thomas Nozkowski, Untitled (T-92), 1996 (Kerry Ryan McFate/Courtesy of Pace Gall

    Thomas Nozkowski: Interview

    via: ARTnews
  • Thomas Nozkowski, Untitled (9-42), 2014, oil on linen on panel, 22 x 28 inches (

    Thomas Nozkowski: Roundtable

    via: artcritical
  • Jane Freilicher, Twelfth Street and Beyond, 1976, oil on linen, 50 by 60 inches

    John Ashbery on Jane Freilicher

    via: Art in America
  • (detail) Joan Snyder, Beanfield with Music, 1984, oil and acrylic on canvas, 72

    Abstraction's Possible Histories

    via: mostperfectworld
  • (detail) Stanley Whitney, Sixteen Songs, 1984, oil on linen, 66 x 108 inches (co

    Raphael Rubinstein: Interview

    via: Art Extrovert
  • (detail) Joan Snyder, Beanfield with Music 1984 (courtesy of Cheim & Read)

    Raphael Rubinstein on NY Painting in the 80s

    via: Brooklyn Rail
  • Thomas Nozkowski, Untitled (6-30), 1988, oil on canvas board, 16 x 20 inches (co

    Painting on the Cusp

    via: Hyperallergic
  • (detail) Mary Heilmann, Rio Nido, 1987, acrylic and oil on canvas, 39 x 58 inche

    Reinventing Abstraction

    via: James Kalm Report
  • Thomas Nozkowski, Untitled (9-21), 2012, oil on linen on panel, 22 x 28 inches (

    Nozkowski & Guston: At the Beginning of Seeing

    via: Hyperallergic
  • (detail) Walt Kuhn, Woman in Majorette Costume, 1944, oil on linen, 30 x 25 inch

    10 NYC Painting Shows

    via: From the Mayor's Doorstep
  • Thomas Nozkowski: In Conversation

    via: Modern Art Notes
  • Ruth Root, Untitled, 2009, enamel on aluminum, 24 x 39 inches (courtesy of the a

    Wit @ The Painting Center

    via: Too Much Art
  • (detail) Helen Frankenthaler, Moveable Blue, 1973 (courtesy of Mitchell-Innes &

    Path of Abstraction

    via: From the Mayor's Doorstep
  • Thomas Nozkowski: Studio View (screen capture from Gorky's Granddaughter, courte

    Thomas Nozkowski: In the Studio

    via: Gorky's Granddaughter
  • Thomas Nozkowski, Untitled #5, 2012, 4-plate aquatint with 22 colors (courtesy o

    Thomas Nozkowski: Subtle Subversive

    via: Hyperallergic
  • Thomas Nozkowski, Untitled (8-117), 2009, detail

    Thomas Nozkowski @ Albright-Knox

    via: Modern Art Notes
  • Thomas Nozkowski’s New Paintings

    via: Left Bank Art Blog
  • Ground Control to Major Tom: Please re-hang your show

    via: artcritical
  • Making Pictures with "as much intelligence and depth as I can muster"

    via: Two Coats of Paint
  • Thomas Nozkowski with John Yau

    via: Brooklyn Rail

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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