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Exhibitions

  • Pisanello, Tiziano, Tintoretto, Tiepolo: Chiostro del Bramante (Rome)

    via: Berkshire Review
  • The Big (Juicy) Apple... abstract painterliness

    via: artcritical
  • Against the Grain: Modernism in the Midwest

    via: On-Verge
  • Titian’s Golden Age Unites Humor and Eroticism

    via: Burnaway
  • James Turrell trips the light fantastic

    via: Evening Standard
  • Have you been inside ‘The Bubble’?

    via: Daily Serving
  • Abstract Expressionist New York: Line and legacy

    via: Two Coats of Paint
  • Alfred Leslie, Gildo the Moor (Rose), 1951, mixed media and collage on board, 9

    The Probity of Modernism: Collages...

    via: artcritical
  • The Spanish Manner: Drawings from Ribera to Goya

    via: Art Babble
  • Young Eva’s “Ghastly Visages”

    via: Daily Serving
  • Ground Control to Major Tom: Please re-hang your show

    via: artcritical
  • Transforming What Painting Means

    via: reVIEW
  • Did You Miss It? "Decameron"

    via: Gallery Crawl
  • Charline von Heyl takes on Ellsworth Kelly...

    via: Two Coats of Paint
  • Abstract Masters

    via: Anaba
  • (detail) Barnett Newman, Onement, I, Oil on canvas and oil on masking tape on ca

    "That Barnett Newman 'Onement' Painting Is, Like, So 1948"

    via: Brooklyn Rail
  • Drawing as an End, Not a Means

    via: New York Times
  • Making Pictures with "as much intelligence and depth as I can muster"

    via: Two Coats of Paint
  • Blinky Palermo

    via: I call it ORANGES
  • The fault is not in our stars, but in our brand

    via: A Year of Positive Thinking

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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