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Exhibitions

  • Leslie Wayne painting detail (courtesy of Jack Shainman Gallery)

    Leslie Wayne: Beyond Painterly

    via: Two Coats of Paint
  • Suzan Frecon, vermilion, 2017, oil on linen, two (2) panels, overall: 84 1/8 x 104 x 1 1/2 inches (courtesy of David Zwirner Gallery)

    Suzan Frecon: The Pleasures of Slow Paintings

    via: Hyperallergic
  • Wayne Thiebaud, Two Paint Cans, 1987 (courtesy of White Cube, © Wayne Thiebaud/DACS, London/VAGA, New York 2017)

    Wayne Thiebaud: Interview

    via: Apollo Magazine
  • (detail) Jennifer Packer, Hold, 2017, oil on canvas, 10.5 x 12.5 inches (courtesy of the artist and Corvi-Mora, London)

    Jennifer Packer: Interview

    via: artcritical
  • Bridget Riley, Aria, 2012 (© Bridget Riley 2017)

    Bridget Riley: Our Instinct Enhanced

    via: Christchurch Art Gallery
  • (detail) Leon Battista Alberti, Della Pittura, illustration published 1804 (Wikimedia Commons)

    Against Space

    via: Brooklyn Rail
  • Andrea Belag, Pirate Jenny 2017, oil on linen, 48 x 56 inches (courtesy of Steven Harvey Fine Art Projects)

    Andrea Belag: Making Changes

    via: Two Coats of Paint
  • Laura Owens, Untitled, 2016, acrylic, oil and screen-printing ink on canvas (courtesy of the artist, Gavin Brown’s Enterprise, Sadie Coles HQ, and Galerie Gisela Capitain)

    The Beauty of Ugly Painting

    via: New York Times
  • Mildred Thompson, Magnetic Fields, 1991, oil on canvas, 70 x 150 inches (courtesy of the Mildred Thompson Estate, Atlanta, GA)

    Magnetic Fields: Expanding American Abstraction

    via: Hyperallergic
  • Langdon Quin, Cimitero III, 2016, oil on linen, 120x150 cm (courtesy of the artist)

    Mystery and Rapture: Landscapes by Four

    via: Painting Perceptions
  • (detail) Lynette Yiadom-Boakye, Light Of The Lit Wick, 2017 (courtesy of Lynette Yiadom-Boakye/Cori-Mora, London/Jack Shainman Gallery)

    Lynette Yiadom-Boakye: Painting is Presence

    via: The Nation
  • Johannes Vermeer, The Astronomer, 1668, oil on canvas, 19 11/16 x 17 11/16 inches (Musée du Louvre, Paris)

    Vermeer and the Masters of Genre Painting

    via: Studio International
  • Guy Goodwin, Popsicle Grotto, 2017, acrylic and tempera on cardboard, 79 × 72 × 13 1/4 inches (courtesy of Brennan & Griffin)

    Guy Goodwin: Interview

    via: Brooklyn Rail
  • Patricia Treib, Gathers, 2017, oil on canvas, 72 x 54 inches (courtesy of the artist and Bureau)

    Patricia Treib: Interstices

    via: ARTnews
  • Brenda Goodman, Lickety Split, 2017, oil on wood, 35 x 50 inches (courtesy of David & Schweitzer Contemporary)

    Brenda Goodman Turns Towards the Light

    via: Whitehot Magazine
  • John Walker, John’s Bay Pollution, 2017, oil on canvas, 84 x 66 inches (courtesy of Alexandre Gallery)

    John Walker @ the Center for Maine Contemporary Art

    via: Hyperallergic
  • Gillian Ayres, Lure, 1963 (Arts Council Collection, Southbank Centre, London © the artist)

    Gillian Ayres @ the National Museum Cardiff

    via: AbCrit
  • Deborah Remington, Apropos or Untitled, 1953, oil paint on canvas (Denver Art Museum: Vance H. Kirkland Acquisition Fund, 2015.225. Courtesy of the Deborah Remington Charitable Trust for the Visual Arts)

    Women of Abstract Expressionism

    via: Artillery
  • (detail) Bram Bogart, Variété, 1961, mixed media, 132 × 110 cm (courtesy of Saatchi Gallery and Vigo Gallery)

    Bram Bogart: The White Paintings

    via: The Art Section
  • (detail) Giovanni da Rimini, Scenes from the Lives of the Virgin and other Saints, c. 1300-05, (courtesy of the National Gallery, London)

    Giovanni da Rimini @ the National Gallery, London

    via: Apollo Magazine

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About Painters' Table

Edited by artist Brett Baker, Painters' Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

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Painters' Table website © 2010-2023 Brett Baker