Curator Nick Moore writes about the Intimate Abstraction, and exhibition of works by John Bunker, John Eaves, Patrick Jones, Frank Bowling, at The Searchers Contemporary, Bristol, on view through April 5, 2013.
Moore notes: "The title of this exhibition derives partly from the size of the gallery and the choice of smaller works to include in it, but more importantly from the layers of meaning in the word intimate. Intimacy is usually thought of as the feeling of being in a close personal association, a belonging together; a familiar and very close felt connection with another. Genuine intimacy requires dialogue, transparency, vulnerability and reciprocity. The adjective, 'intimate' also indicates detailed knowledge and experience of the other, be it a person or a thing. And so the working processes of the painter with the depth of knowledge and experience of the material they use, have experimented with, investigated and tested through a long relationship (possibly thirty or forty years). This can result in a connection in which there is an emotional range involving both robust conflict, and intense loyalty to the medium being used, a dynamic partnership in which there is give and take. It is this sense of connection with the process that initially drew me to these four painters and the richness of the particular way paint is extended through the inclusion of other materials."