Tress comments: "I think I am more and more looking for a personalised version of painting. And above all I want my work to reflect a very individual view and complex emotions. I don’t know if my work does that but I am attracted by works that do that, plainly speaking... I’d like to work a lot more on bigger formats. Physically, it’s a challenge. The huge format I worked on recently… I had to get on a chair in order to reach nearer to the top. Small formats can be challenging too as I need to control my actions much more. The bigger formats on the other hand, allow me to ‘slam the paint’ on, I have more freedom to experiment, leave the canvas ‘empty’ on certain areas. Bigger formats allow me to have more of a dialogue with the painting. It’s like a person or a presence standing there. It also feels more like creating a very personal reality, something that stands its ground. I imagine sometimes that if I could paint lots of big formats and that I would then be able to live in this painted environment."