Franklin Einspruch reviews the exhibition Leon Kossoff at Mitchell-Innes & Nash on view through June 18, 2011. Einspruch writes that Kossoff "[continues] to work in portraiture and landscape, with a brush loaded with oils as if they were tar, favoring a palette based on a sooty, British gray... [but]... one can see a brightening... a verdancy unmixed with ashes as would have been his wont fifty years ago."
via:
artcritical