Hearne Pardee reviews the exhibition Richard Walker: House Paintings at Alexandre Gallery, New York, on view through January 5, 2013.
Pardee writes: "Like painters from Chardin to Braque, Walker incorporates the tools of his trade in his paintings: in Brown Interior, for instance, he depicts a glowing laptop along with the projection it spawns, and the scrims and poles of his projection apparatus, as though to make honest acknowledgement of his process. He thus also acknowledges our complexly mediated relations to the past, to one another, and to ourselves in a world as interpreted by Marshall McLuhan. Walker’s argument for painting’s relevance within this contemporary media environment is convincing on the purely visual level, where his painterly touch grounds his conceptual superstructure in materials. Worked wet into a dark ground, his strokes of light hover on the verge of legibility, with a poignancy that recalls the way good painting has traditionally endowed its subjects with life – a drama repeatedly enacted as his paint lends substance to transparent films of projected photos."