Clyfford Still's Replicas

Clyfford Still, PH-268, 1955 (left) and PH-921, 1955–74 (right) - installation v
Clyfford Still, PH-268, 1955 (left) and PH-921, 1955–74 (right) - installation view from Repeat/Recreate: Clyfford Still’s ‘Replicas’ exhibition (© City and County of Denver/Courtesy of the Clyfford Still Museum)

Patricia Failing reviews Repeat/Recreate: Clyfford Still’s Replicas at the Clyfford Still Museum, Denver, on view through January 10, 2016.

Failing writes: "To evaluate the artist’s assertion that some of his ideas deserved 'survival on more than one stretch of canvas' requires a deep dive into his complex vision of relationships between mind, hand, and painting as an 'instrument.' ... In the exhibition’s catalogue and earlier publications, [curator David] Anfam cites evidence that Still conceived 'the real' from the vantage point of Platonic idealism, where 'the visible world is but an imperfect replica of the realm of ideas…. It’s the idea that’s fundamental for Still,' he emphasizes. 'The idea exists in the mind’s eye and in the imagination. Even if it springs from something observed in nature in the first sense, it lives within him on a metaphysical level. Physical printouts, as it were, can be done at will.'"