Shana Dumont Garr interviews painter Ashlynn Browning.
Browing comments: "There is never a plan or study for a piece in the beginning. That is just not a system that works for me. I’ve tried it, but I quickly realized that intuition, instinct, accident—whatever you want to call it—is the main driver of my work and the only way I get a piece that is “successful” to my eye. So for me, it’s pretty much the classic Abstract Expressionist approach: 'Make a mark, respond to that mark, etcetera.' So I would say at least 75 percent of each painting is made by trusting my gut and putting down colors and marks without really thinking them through. The other 25 percent of the process is where I will let a layer sit for a while and just look at it over a period of days, plotting my next move. That calculated choice may or may not remain in the final piece, but it is still an important part of the process. So in the end, the painting contains a cumulative effect of thoughtful decisions and purely felt acts."