Jennifer Samet interviews painter Chris Martin about his work.
Martin comments: "Painting is a physical activity. We don’t distrust the kind of pleasure we get from cooking or dancing or yoga. In fact, we trust there is great intelligence in the body. But we don’t always trust what the body did on a painting, without being able to explain or justify it, without being able to construct an armature of French linguistic theory around it. It is hard for people to say, 'I don’t know why I put that blue in the corner,' or, 'The orange tipped over, and I ended up with this.' But that kind of a physical joy is contagious and it communicates. That is why we love painting. In that way, painting can be very naked. If you make a painting and you are bored or constricted, then it’s going to be a boring and constricted-looking painting. Other people aren’t going to enjoy looking at it either. Consequently, when you look at a seven-year-old’s painting of a sun, you get it; that energy is communicated."