Robert C. Morgan reviews Odili Donald Odita: The Velocity of Change at Jack Shainman Gallery, New York, on view through January 30, 2016.
Morgan writes that over the course of his career "Odita has focused on diagonal, hard-edge color combinations, emphasizing color values and varying hues. His intention is not to illustrate color theory in his work, but to harden the gesture in painting in a manner that gives it dynamic force. Color becomes the vehicle in his work, a prerequisite to form. In contrast to theory, Odita works from a more intuitive perspective in arranging colors without gradation, thus holding the surface flat while maintaining variable depths of spatial illusion. In doing so, his paintings — whether stretched on canvas, painted on pre-fab wood panels, or applied directly to the wall — suggest a kind of conflicted illusory motion intended to inflect emotion."