Chris Lowrance interviews painter Eric Sall on the occasion of Sall's exhibition Full Phase at Haw Contemporary, Kansas City, on view through December 31, 2015.
Sall comments that "there are times where I feel like things need to be agitated in a way…that could mean doing something like dragging thick paint over the top of a flatly-painted area, or scraping out a specific shape in order to obscure it somehow. These things also happen when I think something is failing in a painting and I just want to wipe things away or scrape off bad areas. It is just a gut reaction, and often those bits are just a real part of the process. Wet paint drips. Thick paint clumps. Colors bleed into each other and make new colors. Sometimes chunks fall down and land somewhere else on the canvas. But then I’ll do something intentional like painting a hard-edged geometric shape on top of an area of thick texture or heavy impasto. It is a constant dance between intention and accident..."