Calandra writes: "While I was in [Hayuk's] studio she was working on four separate paintings on panel which where similar to her murals except for their size. With each painting in a different stage of completion, I was able to almost fully grasp the pattern of her process. It seems that she deliberates quite methodically on where the next long diagonal brush stroke will go and what it will (and will not) cover up in order to create her painter's puzzle of psychedelic color relationships. How she gets that notched out effect in her most recent work is a mystery -- I tried to crack the code while I was drawing, but I couldn't. In other works, Hayuk's brush will twist and turn, jumping around to make reference to endless stairways, chain necklaces, or rivers' patterns. It is almost as though she is painting an altar for the long time history of murals, she herself having participated in this history for many years."