Mira Gerard interviews painter Anne Harris about her work and career.
Harris remarks: "I’m really interested in the sense that substances can shift their weight–that flesh can be air, that air can be liquid, that density shifts…There’s an assumption that I must intend to paint a conventional description of 3-D form and weight, but really I’m trying to do something that can’t be nailed down. I tend to think metaphorically when I paint–I’m at my best when I do. So, I might imagine that the figure is being poured into her container, that the ground surrounding her is some denser stuff, holding her in place (like a mold), or that the painting itself is a slice of air and everything in it is just slightly shifting, like condensation, or everything is skin, pushing against the membrane of the picture plane… I am drawn to work that slowly unfolds, that holds me, mesmerizes me. My hope is that the elements in my painting can function this way. Color is a part of that. I like nameless colors, colors that only get their identity in relationship to other colors, they shift, or flex depending on their context. My hope is that the longer you look, the more they change, that the painting itself keeps shifting."