John Seed profiles painter Anne Harris. He writes that Harris paints "women who transfix their viewers with projections of uncomfortable and uncanny emotional states. Each of her paintings is a paradox, a challenge, a chimera, and to some degree a self-portrait."  The post is illustrated with a selection of Harris' paintings including a work in progress, a self-portrait in a red robe that Seed notes is "a step closer to Goya than any other artist working today."